Thursday 19 July 2012

When Will this Plastic Film Revolutionise my Gaming Experience?

Unless you've been hiding in a deep dark cave for the past couple of years you can't have failed to notice the advances that have been made in Virtual Table Top technologies.  Microsoft captured peoples imaginations a while back when they demo'd their Surface project.  Since then there's been an explosion in VTT software offerings from the likes of Battlegrounds, Fantasygrounds, Maptool and a host of others (far too long a list for this article but this wiki has them all) but the display technology has been lagging behind a bit.

For me the VTT has always been about the marriage of old school play with new technology.  It's no good having a great bit of software if you have to carry a 50 inch LCD screen around with you when you want to play.  Likewise I don't really want to push virtual miniatures around on the screen I want real ones which interact with the display.

Cambridge based research lab, Plastic Logic, is aiming to produce its flexible plastic display in their Dresden factory sometime in 2013.  This display meets half of my needs in that it is incredibly robust as demonstrated in this video, but it really needs multi-touch or RFID to be a success.



As the iPad has demonstrated, people aren't content with just watching their display anymore, they want to touch it, and the real market for this type of display is to be an inexpensive e-reader capable of displaying your daily newspaper.  I for one will quite happily jump on that bandwagon when it arrives.  Once they've successfully integrated the multi-touch capabilities into the plastic film (which shouldn't be that far away) you really would have limitless potential for the display to be used as a portable VTT.

In the meantime I guess I'll have to satisfy myself with Dungeon Mapp Lite, my iPad and a good quality screen protector.

Dungeon Mapp Lite on the iPad
Dungeon Mapp Lite on iPad

P.S. For a more indepth look at the technology, watch as BBC's Spencer Kelly gets to look inside the lab to see how Plastic Logic's flexible display is made.


Monday 16 July 2012

On hitting the big 4 - 0

This year was a landmark birthday for me as I hit the big 4-0... Ouch.

Blood Bowl Team Manager The Card Game
Blood Bowl Team Manager The Card Game
However, my work colleagues bought me some Forbidden Planet vouchers which I promptly blew on Fantasy Flight's Blood Bowl Team Manager the card game.  The game attempts to recreate the fun of Games Workshop's classic Bloodbowl but rather than being a focusing on just one match between two teams, it follows an entire 5 week season of matches with up to 4 teams battling it out in the Blood Bowl Tournament. 

Tonight, I bribed my step-daughter into playing the first game with me (so I could learn the rules) by promising to do the washing up for her.  She wasn't too keen with either the theme or the complexity until she started to get to grips with using the powers on her team upgrade cards and then proceeded to beat my human team with her orcs.

I loved the fact that the matches are boiled down to just the weeks highlights, which sportsfans will recognise as homages to the weekly round-ups on ESPN.  This mechanic forces players to make choices about which cards to play in which highlight in order to maximise their chances of getting rewards such as team or staff upgrades, fans or being able to draft star players.

Although I've only played this game once it does manage to capture some of the flavour of the original game and features some of the famous star players like Morg 'N' Thorg and the Dwarven Death Roller.  It plays quite quickly (our game took slightly less than 90 minutes including reading the rules) and has a nice level of randomness.  Needless to say I loved it and am itching to don my spiked helmet and give it another go very, very soon.  8/10 - Spiketastic

P.S.  There are some great tutorials out there on how to play the game from the team at Fantasy Flight and Crits Happen and a review from the always excellent Tom Vassel's The Dice Tower

Saturday 28 April 2012

Apple Security Questions: aka Choose This Adventure!!

I was so incensed this morning with Apple's ridiculous Apple ID security questions and the lack of sensible choices it provoked me to ranting.

When offering choices for security questions they have to:

1.  PROVOKE CONSISTENT ANSWERS - The best security question always has only 1 answer and a person should be able to answer with 100% reliability consistently.  Asking someone "What is your favourite car you have owned?" may have an answer which changes over time, you could easily buy a new car next week and your preference may change.


2.  PEOPLE FORGET - Fact is we are all getting older and our memories fail us, so asking a teenager "What is the name of you first teacher?" will likely provoke a consistent response more frequently than a 40 year old.

3.  PEOPLE HAVE DIFFERENT EXPERIENCES - Even though we are all sharing in this global digital experiment they call the Internets, our personal experiences are different depending on our age, sex, nationality and culture.  Ask a person from India "What is the first car you have owned?" and they may never have owned a car.  If subsequent question choices always contain one car question then you have dramatically reduced their options for selecting a question that they can reliably answer in a consistent fashion (see 1 above).

4.  IF YOU'RE GOING TO FORCE PEOPLE TO SUPPLY 3 DIFFERENT ANSWERS DON'T HAVE QUESTIONS WHICH CAN PROVOKE THE SAME ANSWERS - If you ask "What was your first car?" and then in another question "What was your favourite car?" don't be suprised if people choose the same answer!!  They may have only ever owned one car, but more importantly people often have a fondness for their first of any experience.  I can remember the number plate of my very first car almost 20 years ago yet I can't remember the number plate the car that I own now!!

What annoyed me most is that there was simply no reason for this to happen, and it wouldn't if Steve Jobs had gotten wind of it.  The content of the question and it's answer are entirely irrelevant and merely exist as a way to provoke a validateable response in 100% of cases.  Therefore the only logical method is to is ask your users to write their own questions and answers and not to force them to choose between your choices in an Adventure Gamebook style!

Tuesday 10 April 2012

Two Birds, One Stone

Toon the Cartoon Roleplaying Game
Buy it on eBay
On Good Friday I stepped into the breach to run a filler game whilst our regular DM was absent, and I used the opportunity to complete two firsts.

One was to run a game of TOON RPG, which I enjoyed playing for the first time a few months back, at Dragonmeet 2011 and the other was to attempt to GM my first session using an iPad.

TOON

Having only played TOON was no real barrier to GMing, but I did kind of struggle with writing the scenario until I found THE TOON ADVENTURE GENERATOR in my copy of TOON SILLY STUFF

Clearly, I was overthinking this whole thing and as I recalled the game I played, the players pretty much drove the whole plot with their character choices and actions. 

With this in mind I just came up with the plot synopsis:

Save The Cows Save The World



The PCs are all farmyard animals who have to save the cows on their farm from being rustled by an invading Martian with a penchant for strawberry milk shakes.  - Download it Today


I grabbed an image of a farmyard from googleimages and drew a rough map in inkscape to give the players an idea of what was on the farm.  This then gave me enough to start fleshing out some of the zones to give the players enough ammunition (literally) to see off the bad guys.  This was then converted into a PDF and loaded onto the ipad. 

A quick search of the interweb rustled up MP3s of the opening and closing credits for Looney Tunes which would help get my players into the mood.  I also stumbled on a great site with some free sound effects (http://www.freesfx.co.uk/) which I hoped to use during play and these were installed in the usual way via iTunes.

Using the iPAD

I've been trialling a few RPG apps on the iPad (which I'll cover in another post), but the most useful ability is to read and annotate PDFs and after a few false starts I found eDocReader Multiple PDF.  As the name suggests this app allows you to open multiple PDFs at the same time as tabs in the same application, allowing you to have a copy of the rules open as well as your scenario.  The simple annotation tools enable you to make notes directly onto your scenario by either typing or writing with a finger or stylus.

The Experience

The game ran very smoothly which was surprising as all my players were TOON newbies, but from the opening credits to the "that's all folks" they let their imaginations run riot.  The PCs were a duck billed platypus in search of a mate, a dumb but incredibly fast guard dog whose kennel sat atop a subterranean hi-tech lair, a machinating pig who had been ordering ACME products for years and last but not least a bull whose sole mission was to impress the 5 dairy cows with his muscle poses.

All the classic cartoon capers occurred; the pig dressed up as a female Martian to woo the bad guy into eating strawberry looking grenades, the bull became enraged by anything red and broke open the yellow barn to reveal an Indiana Jones style warehouse full of ACME crates, the platypus dropped a gigantic fake bomb on the pond squishing the piranha and the dog and his Martian double ended up having one of those cloud fist fights.

However, the playback of MP3s in the Music app was troublesome, particularly having to stop the iPad from playing the entire playlist.  There are lots (and I mean lots) of SFX pad apps in the appstore but no free ones that allow you to allocate your own custom sounds to buttons as triggers (please correct me if I'm wrong).  I am also on the hunt for ways of embedding sounds into my scenario PDFs so I can play them back from within the PDF Reader as I read out the relevant description text.

Although this first experience wasn't an unquallified success, the main advantage with the iPad is that you can GM with just an iPad and a few player handouts, so the days of carrying whole libraries of books around with you everytime you want to run a game are definitely over.  My new motto from now on will be "Have iPad... will GM".

Monday 19 March 2012

Tabletop!: Wil Wheaton Hosts New Celebrity Gaming Show

Here's a trailer for Wil Wheaton's new web show on Geek & Sundry which airs on Monday 2nd April.



"Celebs" I spotted:
  • Colin Ferguson - Eureka
  • Grant Imahara - Mythbusters
  • Felicia Day - The Guild

Wednesday 7 March 2012

My response to 20 Quick Questions

My responses to the 20 Quick Questions posed by Brendan over at Untimateley

1.  Ability scores generation method? 

3d6 allocated as you wish (unmodified rolls below 7 are ignored as they're not heroic enough) if you don't meet a class minimum I'll allow a couple of points to be traded between stats.  If a modified score drops to 7 or below as a result of age or race modifiers then it stays.

2.  How are death and dying handled?

If a PC was trying to do something stupid or after repeated DM warnings then they'll most likely die.  If it was something heroic or their PC background compelled them then they'll probably live... Maybe.  As soon as you hit 0 HP you are considered incapacitated, go below that and you are dying of bloodloss at -1HP per turn until you hit -10 HP were you are dead.  A heal or a first aid can bring you back to 0 HP from where you can heal normally or magically.  Restoration of missing body parts can only be done through magical or divine means. 

3.  What about raising the dead?

Absolutely, but its hard, rare and usually against the law.  If it happens to a PC then then they will return with an extra quirk which, as the DM, I can use to compel the character.  After all, the Reaper must always be paid.

4.  How are replacement PCs handled?

I don't tend to kill off pcs (as a result of Q2) but if it happens then they will have to play an NPC until there's a suitable plot point to inject the character of their choice.  I will often suggest a class to play depending on the party dynamic/class mix or if the dead PCs player was actually trying to play a different class when their PC died.

5.  Initiative: individual, group, or something else?

I use record cards to track combat so every PC gets to roll their own initiative.  Major NPCs get their own individual cards but minion NPCs and monsters who attack in groups only get one card and therefore one initiative roll.  I allow PCs to hold their action, but their card (and consequently) will get placed back into the initiative stack in this new order and stays there unless they hold their action again until the beginning of the next combat round.  As a result they will effectively miss a combat action, but this effecitively models them "waiting for an opportunity" and is a suitable penalty for making me work harder.
 
6.  Are there critical hits and fumbles? How do they work?

Yes.  PCs get critical hits and fumbles on rolls of natural 20 and 1 respectively, Monsters and NPCs can never score critical hits, only fumbles.  I don't adjust these target values by weapon type but skills and abilities such as marksman or battlerage may lower the critical target to 19 or at very best 18, fumble targets only ever get raised above 1 if the PC is subject to a bad luck curse.  I use my Decision Deck to suggest a theatrical effect for both critical hit and fumble which I can modify depending on the weapon or attack used.  The decision deck effects are ranked in three grades minor, major and fatal and range from just missing an action or being stunned for a few rounds to losing a an eye, limb or being eviscerated on the spot.

7.  Do I get any benefits for wearing a helmet?

Yes, you get an armour bonus but there can be other non combat advantages such as disguise bonuses or if they are of horrific or terrible design, bonuses to intimidate or opposed morale checks when worn.

8.  Can I hurt my friends if I fire into melee or do something similarly silly?

You bet, but I will stop short of allowing your stupidity to kill another player, let's hope you don't fumble though.

9.  Will we need to run from some encounters, or will we be able to kill everything?

Most encounters are designed to be challenging for the players, but utimately achievable.  However, if the plot requires, for example, that they have a certain artifact in order to defeat the major boss then they'll have to run away.  I occassionally "steer" my players towards a solution by using an impending massively scaled threat, but these are few and far between.

10.  Level-draining monsters: yes or no?

To be fair I've not tried it so far as I've always thought it an administrative nightmare, but I liked Tim Brannan's recent article on the subject Undead: I don't like Level Drain and am itching to give his suggestions a go.

11.  Are there going to be cases where a failed save results in PC death?

No, partly as a result of observing the "rule of stupid" (see Q2) and partly because I hate entirely random deaths.  Anecdote Alert: I once played this sci-fi game where immediately after we had spent an hour rolling up characters we were began teleporting down to the surface of a planet.  The DM said that the teleporter was not 100% effective and lo and behold a PC fumbled their roll (which the DM actually rolled anyway) and they got turned inside out.  What the DM thought they were achieving by doing this is unknown, but what they actually achieved was a 20 minute lag for everyone whilst the unfortunate player rolled up another character.

12.  How strictly are encumbrance & resources tracked?

I have recently taken to using my Item Cards to track PCs equipment but this is mostly so that players manage the items that they've got in their hands, are wearing or have stowed in backpacks (or in their saddlebags which are on their horse which is outside the dungeon (or in the dragons belly!!)).  Each card has a relative encumberance value and from time to time I check the total encumberance and the number of cards.
   
13.  What's required when my PC gains a level? Training? Do I get new spells automatically? Can it happen in the middle of an adventure, or do I have to wait for down time?

I tend to award XP in the natural lulls between sections of a campaign.  Spellcasters will acquire new spells or prayers as and when they encounter other spellcasters or find tomes containing them.  These may be of a level above that which they can cast and they will only be able to add it to their spell or prayer book, casting will have to wait until they level up.  Similar things can happen for new feats or abilities for other classes.  Fighters and rogues may meet an NPC who teaches you a new combat move or a new technique for lock picking but you want be able to take advantage of this new found knowledge until you've levelled up.

14.  What do I get experience for?

Everything you do, I believe XP should not be awarded just for killing things, in fact there are times when penalties should be awarded for this.  If the plot demands that an NPC is captured alive rather than killed, I prefer to award full XP only if they achieve this, half or no XP will be awarded if they end up killing them.  "Roleplaying" awards are generally given for interesting or successful non combat encounters or for discovering clues and progressing the plot.  Making me laugh is a sure fire way to gain XP.

15.  How are traps located? Description, dice rolling, or some Combination? 

PCs make spot hidden object or search rolls. PCs can suggest the type of trap they are looking for and I modify the target number if they are warm or cold.

16.  Are retainers encouraged and how does morale work?

I don't encourage or discourage them.  They tend to be expendable level 0 NPCs which I control or if every party member has one I'll make sure that each player plays someone else's retainer.  Their Morale will be based on a D20 roll under their WISDOM score.

17.  How do I identify magic items?

This largely depends on your class.  Spellcasters can obviously use Detect Magic spell but rogues can use evaluate or local knowledge or rumor to research the history of an item which may reveal that it has some additional magical aspects.  In both cases you will never truly know what an item or artifact does until you try to use it

18.  Can I buy magic items? Oh, come on: how about just potions?

Absolutely, if you can find Ye Olde Magick Shoppe.  I prefer that some magical things are not solely the preserve of Mages, so Scribes, Apothecaries, Priests, Monks, Druids and Alchemists may also be able to knock up potions of healing, wards, scrolls or other such items.

19.  Can I create magic items? When and how?

Yes, if creation can easily be worked into the regular game sessions, otherwise it's reserved for non-game time between campaigns.  I'm happy for a player to retire their character in the middle of a campaign if they absolutely have to but they run the risk of the party never returning to that location again.  This has not happened to me so far.

20.  What about splitting the party?

All the time, I don't try to force party cohesion, some classes work best when they are working alone.  When in cities it is often necessary for you to investigate several leads at once.  If there's going to be a big battle then try to bring everyone together for the best chance of success. 

I am often reminded of the standard Dr. Who plot exposition which goes like this: Tardis lands on planet, Doctor and assistant get split up and each find a group of protagonists.  An event occurs and the Doctor and Assistant swap groups of protagonists.  Doctor reunites with assistant and they determine which group of protagonists are Good or Evil.  Doctor and Assistant side with Good protagonists and defeat evil or unite protagonist groups.

Monday 5 March 2012

Roleplay Geek Publishing - New Product - Sci-Fi Scenics Set 1 - Hover Taxi and Hover Car

RGP is proud to announce the first in a new line of Paper Miniatures with the release of RGP011 - Sci-Fi Scenics Set 1: Hover Taxi and Hover Car.

Populate your street scene and spice up your firefight with this papercraft hovercar suitable for any sci-fi roleplaying game such as Cyberpunk, Traveller or Judge Dredd.  8 different colour variants available (1 vehicle per sheet) including:
  • Yellow Taxi Cab
  • Orange
  • Red
  • Green
  • Blue
  • Purple
  • Grey
  • White
all for the low, low price of only $1 dollar!! (that's 63p in old money)

Wednesday 29 February 2012

Fantasy Mass Transit - A Technology Too Far?

A warforged hangs from the gondola of an airship as a
Lightning Rail loco passes below (artist unknown)
In his recent article, The Architect DM: Seven Wonders of Your World, Danny Rupp highlights the Lightning Rail from the Eberron setting as an example of a World Wonder.  As I was largely ignorant of the detail of the Eberron setting I did a little more research and was both intrigued and horrified in equal measure by this concept.

As I've written before, in a quasi-medieval fantasy setting personal mobility is generally restricted to a couple of days walk and even those who own horses don't tend to travel long distances unless they have a pressing need.    Long arduous journeys or quests to find this artifact or that magical location are the stock-in-trade of the fantasy novel and it is often the journey itself, not the final destination that defines the hero.

In Charlie Jane Ander's round-up of the 10 worst mistakes that Alternate History Authors Make, author Terry Bisson states that "if you don't bring your alternate history up to the reader's present, then you leave out half the fun".  Whilst I agree that this often the case with Sci-Fi and especially with the alternate history subgenre, it is not the case with fantasy literature.  In fact introducing some relatively mudane modern day solutions into a medieval setting can have disastrous effects.  

Although attractive as both a plot generator and as a mechanism for swiftly moving PCs from one location to the next, a system like The Lightning Rail (even if access to it is heavily controlled) opens up a whole new can of worms in that it also ushers in an age of mass transit in the same way that the real railways did in the 1830s.  With mass transit comes huge socio-economic upheaval as people inevitably migrate towards cities and goods suddenly become cheaper as transport costs are reduced.  Consequently cities will gradually expand in size, usurping nearby land which no longer needs to be used as farm land because produce can be brought in just as cheaply from further afield.  This is just the start. 


As always there is the "exception that proves the rule" and in this case it would be a setting which has suffered some form of technological regression.  There are often pieces of working ancient technology to which access is heavily controlled and the knowledge of its operation is usually forbidden by some form of techno-priesthood and the population will often rationalise this as being magical or divine.

A couple of good examples of this being:

Orson Scott Card's Memory of Earth features an Artificial Intelligence (which the population call the Oversoul) which uses mind control to prohibit access to ideas which will ultimately lead to the development of self destructive technologies.  In this way he allows access to things like electricity and magnetism but avoids the wheel and the industrial revolution arguing that they ultimately lead to the development of war machines.

In his novel Cat Karina, Michael G Coney uses a sail driven monorail concept, which utilises the remnants of technology left behind by a previous human civilisation.  A religious belief system prohibits the use of manufacturing and power systems which would ultimately lead to the development of faster, better "trains" and stems the onset of any transport revolution that might ensue.

Saturday 25 February 2012

RPG Papercraft: Judge Dredd H Wagon and Riot Tank

It's been a couple of weeks since I posted anything as I've been busy papercrafting again.  In honour of the 35th Anniversary of Judge Dredd, here's some photos of the prototype H-Wagon (and Riot Tank variant) I've designed for my upcoming Judge Dredd game.

UPDATE:  I've now created a 3D printable H-Wagon for use with 15mm sci-fi miniatures.

H-Wagon configuration - Front Quarter(The interior floorpan measures 3" x 2")


H-Wagon configuration - Rear Quarter
(The model will come with six detail boxes
which can be glued anywhere you like)

H-Wagon configuration - Underside (showing off the grav plates detail)

Riot Tank Configuration  (the tank "lid" just slots in place, so you get 2 models for the price of one)
 

Monday 13 February 2012

The Ages of D&D: A Timeline v3

By popular demand version 3

Click on the image to embiggen
You can also download a really big version from 4shared.

So what's the point? I hear you ask.  Well, I just wanted to see where I fitted into this whole D&D universe and I have so far come to the conclusions that:

I am definitely of the 2nd Age of D&D, I cut my teeth on 2nd Edition AD&D and my favourite campaign setting is Al-Quadim (precisely because it is the most alien campaign world to most players).  I was a late adopter of 3/3.5 and for me it didn't have the same hold on me as 2nd Edition (for all its failings).  I have played a demo of 4e and am unlikely to buy it given that D&D Next is on the horizon.

The lifespans of D&D editions have become shorter, whether or not this is as a result of commercial pressure, is hard to say as there is evidence to suggest that D&D has always had more editions with shorter lifespans than AD&D and that it has only become noticeable since the 3/3.5 reformation.  In fact I was mostly ignorant of the "Basic" D&D versions for many of my formative years, as my go-to game was AD&D.

More new campaign settings were published during the Second Age than any other and this may account for the slightly longer timescales between editions but also coincides with the Golden Age of Roleplaying, the 1980s. Dragon and Dungeon Magazine have been my stalwart companions along this journey, more so than any "edition" of D&D, and I have taken ideas from their pages and converted them to work in many systems and genres over the years.

D&D as a brand has been "managed" for a longer period of time than it was by its creators.  It is bigger than any one person or team and it will most likely outlive us all (in some form).  I wish Mike Mearls, Monte Cooke and all the other people at WotC the best of luck in what is arguably a truly Sisyphean task and I can say I am excited about the future of D&D under their guardianship.

Saturday 11 February 2012

Wednesday 8 February 2012

The Ages of D&D: A Timeline

When you can't google an image sometimes you have to make it.

Click on the image to embiggen

Monday 6 February 2012

A to Z of UK RPG in the 80s: K is for Knightmare

A player dons the helmet of Justice as Treguard looks on
In the late eighties Tim Child, a Journalist/Reporter/Producer for Anglia TV, came up with an idea for a kids TV show having been inspired by the popular 8 bit dungeon questing games such as Atic Atac and Dragontorc.

The concept was simple, a team of four children would embark on a quest to retrieve an artifact from the dungeon.  One child played as the "dungeoneer" and wore the "helmet of justice" effectively blinding them (to the primitive TV technology available at the time) whilst the remaining three acted as guides watching the action through a "magic mirror" and telling the dungeoneer where to move and what to do.

L: Treguard (Hugo Myatt) and R: Pickle (David Learner)
The guardian of the dungeon was a character called Treguard (played by Hugo Myatt) who would act as Dungeon Master, giving the players clues as they progressed through the dungeon rooms.  Other characters would appear in rooms to offer clues to the completion of puzzle or give the players a riddle which might help in the next room.  In later series some of these characters like Pickle (played by David Learner, who also wore the Marvin suit in the BBCs Hitchikers Guide to The Galaxy) became permanent fixtures.  

Spells Yes, Combat and Roleplay No

Often players would be required to cast spells in order to defeat a puzzle, these consisted of the dungeoneer spelling out a word.  I was never sure whether this mechanism was deployed due to the limitations of the technology or as an educational content element to pass the TV commissioners scrutiny.  The technology was definitely a limiting factor with regards combat and the producers eschewed the opportunity to add a roleplaying element with the dungeoneers always being known by their real names.  In essence the show was essentially a puzzle solving exercise and although there was some inspiration to be got from viewing in hindsight it was pretty limited, but nevertheless a fun show to watch. 

The Technology

The show used the chromakey tecchnology to superimose the "real" world onto the digitised matte paintings of the "virtual" dungeon, the work of airbrush artist David Rowe who had painted a few of the more popular 8bit game covers of the early 80s.

Dungeoneer Martin gets fried by Sorceress Morghanna
Behind the scenes view of a typical room which 
demonstrates the "blue screen" (chromakey)
technique that the show used extensively

Knightmare: The Boardgame and the Adventure Gamebooks


It wasn't long after the show's debut that the first of six gamebooks were released, between 1998 and 1993, in an interesting part novella part gamebook format.

Knightmare - Book 1
The Labyrinths of Fear - Book 2
Fortress of Assassins - Book 3
The Sorceror's Isle - Book 4
The Forbidden Gate - Book 5
The Dragon's Lair - Book 6

The obligatory TV boardgame was released by MB in 1991 and seems lack lustre and pedestrian by comparison to other earlier MB adventure games such as Heroquest both incidentally designed by Stephen Baker. 

The Knightmare Boardgame
 All the above are quite rare but can still be found if you search for Knightmare game on eBay.


Groundbreaking For It's Time

Although I look back at this early attempt at an immersive TV show through rose tinted nostalgia glasses, it's hard not to be impressed with what they achieved.  An attempt at a CGI reboot (known as Knightmare VR) was attempted with a pilot in the early 00s, but to date no channel has attempted this level of immersion in a mixed media environment. 

The BBC have come close with the creditable shows Trapped!, Raven and Mission 2110 which are essentially reworkings of the Crystal Maze physical challenge format with expensive sets.

Want To Know More?

Friday 3 February 2012

Quadrotor Swarm: Evil? or am I just being paranoid

Don't you just hate it when someone invents something with the best of intentions and all you can think about are it's potential evil uses.

Wednesday 1 February 2012

A to Z of UK RPG in the 80s: J is for Judge Dredd

2000AD hit the newstands in 1977 and its most popular and longest running character, Judge Dredd debuted in Prog 2.  The vision of writer John Wagner and artist Carlos Ezquerra, Dredd is a product of late 1970s pop culture, economic stagflation, and social and industrial upheaval.   

Judge Dredd: Comic Book Hero (1977 - Present)

22nd Century North America is largely a blasted radioactive wasteland known as The Cursed Earth, humanity has retreated to the safety of a handful of megatropolis known as Mega Cities.  The traditional policing structures techniques have been replaced by a system of hardline law enforcers known as Judges who are a combination of policeman, judge, jury and executioner.

Judge Joseph Dredd is the epitomy of a Judge, a single minded human machine entirely dedicated to the task of upholding THE LAW.  He is feared and respected in equal measure by his peers and the citizens of Mega-City One and is an example of the Anti-Hero character concept.  A peculiar aspect of the character of Judge Dredd is that in an almost unbroken 35 year long run of comic book appearances, his face has never been shown.  This gifts him an almost mythical "Everyman" aspect, which coupled with his status as a clone (via a policy of state sponsored genetic experimentation), reinforces the man/machine idea and that he is more a product of his environment rather than humanity.


Judge Dredd: The Games Workshop Boardgame (1982)
JUDGE DREDD Boardgame (GW)

In the 80s Ian Livingstone designed the Judge Dredd boardgame to fit in with its expanding range of bookshelf boardgames.  Essentially, a cluedo style race around Mega-City One to find and arrest a random collection of perps who were busy commiting random crimes in random locations.  Each of the perps were famous faces from the comic escapades of Judge Dredd and had a "Perp Rating" which coupled with the severity or "Crime Rating" of the crime they were committing gave a target number you had to roll against with a pair of d6.


The artwork came straight out of the pages of 2000AD and the board (by Ian Gibson) was a glorious piece of artwork in its own right.  Brian Bolland's cover pretty much sums up this very simplistic game, but lots of fun could be had trying to arrest the The Dark Judges for littering or The Angel Gang for Umpty Bagging even though these perp/crime combinations could be a bit bizarre.

This wasn't the last we'd hear from Games Workshop with 2000AD inspired games and they followed up with Block Mania (and its expansion Mega Mania) and Rogue Trooper.  I never got round to buying these with my meagre schoolboy resources but they are on my ebay/thrift store wish list.

Judge Dredd: The Games Workshop RPG (1985)

Judge Dredd RPG GW Boxed Set
JUDGE DREDD RPG (GW) Boxed Set
In 1985 Games Workshop released Judge Dredd RPG written by Rick Priestley (Warhammer, WH40K, Warmaster) and Marc Gascoigne (Blood Bowl, Chainsaw Warrior). As a fan of 2000AD it was almost inevitable that It would become one of my favourite systems and it holds the rare distinction that it's only system which I've bought twice! and still own both copies.

Opening the box reveals 2 books; The Judges Manual (a Players Guide), the self explanatory Game Masters Book, a double sided map to the scenario contained in the gm guide (one side is a meg-way underpass the other a shaggy hall) and a sheet of cardstock counters and standees with a good mix of judges, perps and bystanders.

The game system is very simple being based on two stats STRENGTH (2-4) and INITIATIVE (Percentile) and 6 percentile skills; COMBAT SKILL (CS), DRIVE SKILL (DS), TECHNICAL SKILL (TS), STREET SKILL (SS), MEDICAL SKILL (MS) and PSI SKILL (PS).  The majority of roll playing is resolved through a simple percentile skill check (with modifiers dictated by the GM).  A Combat Round consists of 10 Phases (or Frames) and a character's INITIATIVE dictates how many actions they may make and in which phases, fans of Steve Jackson's CAR WARS will immediately feel at home.  Combat damage results in either STUNS (which temporarily reduce INITIATIVE) or WOUNDS (which temporarily reduce STRENGTH).

JUDGE DREDD Miniatures by Citadel
The full range of Justice Department specialisms can be replicated through this 6 skill system but the majority of PCs will most likely be Street Judges.
  • TECH Judges have a TS of 40+
  • MED Judges have an MS of 40+
  • Psi Judges have a PS of 40+
Once a PC has a score of 40+ in any skill (and for every full 10 points thereafter) they may choose a Special Ability offering bonuses to completing actions or for us in certain situations in much the same way as D&D Feats.

The rules light nature means that a session of Judge Dredd is fast paced with the focus on action (just like the comic books), although there is plenty of opportunity through the skills system to have a more detective style game.  A healthy mix of rounding up perps and then trying to decipher the clues left behind in their aftermath is usually the best way to go.

Games Workshop supported the system with the hardback Judge Dredd Companion, a compilation of White Dwarf articles, two campaigns Judgement Day and Slaughter Margin, the excellent Citi-Block floorplans and a 200 figure strong range of miniatures.




Judge Dredd: The Hollywood Movie (1995)

Sylvester Stallone as Judge Dredd
Sylvester Stallone as Judge Dredd
It was only a matter of time before Hollywood would turn it's attention to the Dredd franchise and in 1995 the Judge Dredd movie was released starring Sylvester Stallone.  Although the film has been derided by many for it's poor plot and acting, the production, costume design, CGI and miniatures work met with wide spread approval, in fact Stallone looked great as Dredd (until he spoke and took his helmet off!!).  In a recent LA Times interview John Wagner was quoted as saying:

"perhaps that was one of the failings of the first film; they tried to do too much and ended up with not a lot." 

Judge Dredd: The Mongoose RPG (2002 - Present)

In 2002 Judge Dredd was acquired by Mongoose who rebooted the RPG system using the D20 system.  Although I have never GM'd or played this version, I do own some of the scenarios and supplements, which are eminently useable and are the usual high quality Mongoose products.

Mongoose were acquired by Rebellion Developments (who had bought 2000AD from IPC Magazines in 2000, coincdence???) and in 2009 they replaced the D20 System with its own Traveller System and also produced a set of free rules for mass combat in support of its excellent range of 28mm Judge Dredd Miniatures. 

Judge Dredd: The Future

March 2012 sees the 35th Anniversary of Judge Dredd and a new movie starring Keith Urban is released in September.  I hope to mark this resurgence of interest in my favourite comic book character by running a game with my Friday gaming group, writing more Judge Dredd blog posts and possibly releasing a PDF or two.

Tuesday 31 January 2012

3 abreast in a 10' Corridor: Photographic Evidence from J E Holmes

Jeff Rients recent post jogged my memories of playing with old school 25mm minis and this plate from Dr Holmes' book "Fantasy Role Playing Games" seems to support it.  Citadel and their 1 inch plastic bases have a lot to answer for.

From "Fantasy Role Playing Games" by J Eric Holmes MD (p177)

A tense moment.  The cloaked figure of the thief (Ral Partha) crouches listening at the door as
the rest of the party (Ral Partha) led by the Elf mage (Dragon Tooth) guard the corridor intersection.
  




Monday 30 January 2012

Spellbooks as Physical Accessories

books
Over at The Tower of The Archmage, Tim posted some inspirational images of spellbooks.  In my campaign world, The Lands of Dual, I've always insisted that players whose PCs are spellcasters, create their own spell books (or in the case of Clerics, prayerbooks) as a physical accessory. 

This fits in well with my preference for the "Spell Slots" form of spellcasting, where as long as the spell is in a PC's spellbook (ie: they have indepth knowledge of the spell) and they have an unused spell slot (ie: they have sufficient energy) then they can cast it.  I also insist that the player come up with their own cantrip or rhyme which they recite when casting the spell.

Although some will undoubtedly think that this isn't very fair on the poor player who has to go to the extra effort of creating their own spell book, hang on a minute, there are a few paybacks.

PAYBACK FOR EFFORT

Mary Queen of Scot's Prayerbook and Rosary
How many times, as a spell casting player, have you had to dive into the rulebook to remind yourself of the spells exact effect or range?  Using this system you can copy out the pertinent stats on a specific spell so you always have your own reference manual.

As DM I can give XP rewards to spellcasters for "roleplaying" their casting attempts.  It's far too easy for spellcasters to get ignored (or just become non combat time specialists) when you're not upfront slaughtering the bad guys and getting XP for combat.

I've always struggled with the notion that if spellcasting characters "level up" in a wilderness, they essentially forfeit any advantage until they can get to a major urban location or meet another wizard to learn new spells and go through the whole "non-game time research" rigmarole which is not always possible to do in a fluid campaign. 

Using the spellbook system, "levelling up" just means that you have had a breakthrough and that you have unlocked another level of mastery.  If you already have, or subsequently find, a spellbook containing spells of your new level, you will now be able to "understand" them enough to add them to your own spell book.  To my mind it is only right that mages should covet each others spellbooks, as a font of thaumaturgical knowledge.  Cue a campaign where mages are being rounded up and slaughtered for their books.

PLAYING DOWN POWER

"But this might make spellcasters too powerful!" I hear you exclaim.  Not so, there are ways in which you can temper their ability, whilst still making it interesting and challenging for them as players.

Environmental factors can make for interesting play.  One of my players wizards had to cast all his spells from the safety of a trapped airpocket inside a submerged boat during an underwater encounter as he didn't want to get his book wet.

More powerful spells require longer incantations (the length of recital should be in line with the spells casting time) and therefore there is a greater chance that they will stutter or fluff their recital.  This gives you the opportunity as DM to be a little bit creative with the resultant spell effect.  Perhaps that level 5 Magic Missile wasn't quite on target or lacked a little concentration?

CRAFTING SPELLBOOKS

There are plenty of ready made notebooks, such as moleskines or the plethora of hand made notebooks, which you can buy off the shelf or from ebay.  Personal organisers (medieval monks used miscellanies which were a kind of proto filofax) also make good spellbooks and have the advantage that you can add pages as you go.  If you're a dab hand with word, photoshop or GIMP  you could create your own page templates and paste in the important data in a fantasy font.

Wednesday 25 January 2012

Levelling up

In his latest Legends and Lore article Monte Cook posits that:

"levels serve as a means to incentivize people to keep playing the game"

Whilst this may be true for the majority of MMORPGs and those time wasting level machines on facebook, it is not necessarily the case for D&D and other level based RPGs.

Levels are a Challenge Metric

D&D 3e introduced the concept of the Challenge Rating (CR) as a device to scale your encounters / scenario to match the levels of the PCs in your group, and before CR, we used a Monster's Hit Die.  However, the constant used in both systems was the PCs level system.  Successive layers of "Customizeable Elements" such as powers, feats, skills and kits have only added to the complexity of character generation and consequently devalued "Levels" as an effective constant.

Players use this metric during play to judge their own survivability and determine their reactions when faced with obviously superior force strength or capability.  For example a lower level party will often resort to non combat means to overcome an encounter if they suspect that there is a high chance that they won't survive.  Being a hero doesn't always have to mean slaughtering the enemy, particularly if a GM has intentionally used the monsters level to frighten or provoke a non-combat solution.

Storytelling Incentivizes Continued Play

In the same way that the storyline of a soap opera incentivizes millions of people to keep watching, the continuation or completion of a plot in an RPG incentivizes players to keep playing.  Although min-maxing and power-gaming exist as styles of play these are generally regarded in a negative light and are discouraged in favour of more positive storytelling or cooperative styles.

Posturing vs Retrospection

Hands up those who've had (or overheard) a conversation before a game session which goes like this:

"My 5th level fighter will kick your 5th level rogue's ass..."

or after a session:

"Remember when I saved your ass by taking out that orc chief..."

As a DM, I know which one I'd prefer to hear my players use.

Tuesday 24 January 2012

My 10 Favourite Sci-Fi Posters

Thanks to Davis Chenault for his post highlighting the IGN 25 Top Sci-FI Posters.

Here's my top 10 (in no particular order) with some alternate versions thrown in for good measure:


1. MAD MAX


Original Theatrical Poster

UK Poster
I love the graphic simplicity of the original release, but the UK poster (which I remember from my childhood) makes me wanna see the movie NOW!.

2. DUNE


UK Poster

Japanese Poster
The haunting alien vista of the UK poster is infinitely preferable to the car crash of bad airbrush art that is the Japanese version.  Who is Paul Atreides supposed to be kissing, cos it sure doesn't look like Sean Young.

3. BLADE RUNNER

Original Poster
Directors Cut Poster
The crazy angles and harsh edged look to the original composite are given a more sympathetic and dreamlike treatment for the directors cut.  Much better poster IMHO.

4. THEY LIVE


Original Poster

Marc Palm Homage Poster
Rowdy Roddy Pipper eyeballs your "alienness" in the original, but there's a nice subversive edge to Marc Palm's "Hope" version.

5. STAR WARS


Original Poster

Olly Moss Homage
The original is a masterpiece of both composition and oil painting, even if the blasters seem to be firing light-sabre beams.  The Olly Moss homage is an elegant piece of graphic design genius.  I'm officially torn between the two.

6. ALIEN

Original Poster
Polish Poster
The minimalist original has it all, black for space, weird cracked egg with green glowy yolk, scary byeline and alien eggbox landscape.  The poor poles have no idea what they're letting themselves in for with their bizarre blood vessel drawing of what I can only presume is a facehugger?

7. ESCAPE FROM NEW YORK

Original Poster
Special Edition Poster
The Big Apple has gone all to hell in the iconic (if a little cliched) original as the characters are caught in a spot of mid escape terror.  The Special Edition looks like one of Snake Plisken's holiday snaps, posed right after he's brought down the Statue of Liberty in some sort of explosive mayhem.

8. SCANNERS

Original Poster
Italian Poster
In the definitive original, Michael Ironside's about to explode!!!.  But I love the comic book style and vivid fiery reds in the Italian version.

9. GODZILLA VS MEGALON
Original Poster
Alternate Poster
Godzilla is kicking Megalon's butt in the original and classic poster.  In the alternate version The Lost Continent of Mu has been given the boot in favour of a battle on top of the Twin Trade Towers which due to the exaggerated scale makes both these Kaiju look a bit puny by comparison.  Nice idea, poor execution (and the typeography lets it down as well)

10. THE CITY OF LOST CHILDREN


Original Poster
Ken Taylor Mondo Poster
The arthouse style original with its dirty steampunk qualities are eschewed by Ken Taylor for a heavily inked composite illustration evocative of a Hammer Horror movie poster.