Thursday, 5 January 2017

The Tarot and its use in RPGs

As soon as I read the title of the Jan 2016 RPG Blog Carnival I knew I had to write something about my use of Tarot cards in my Fantasy RPGs over the years.

The Deck of Many Things (aka RPG History 101)


As many of you will know playing cards have been used as physical representations of the cards in the classic deck of many things since its inception.  The first published reference of the use of tarot dates back to 1983 where Michael J. Lowrey codified its use in AD&D in his article published in Dragon #77.  It's also in the D&D SRD so as far as I'm concerned it's cannon!!

Presenting your players with a tattered tarot deck lends an air of theatricality and mystique to your game which will not go unnoticed by your players.

Tarot as a Character Generation Tool


Surprisingly there was a time before the 5e Background Generator and some players always seem to have difficulty coming up with interesting motivations for their PCs.  I have often used a much simplified version of the Celtic Cross Spread to help them to generate their own ideas for their characters background and motivations.

A typical shortened "Celtic Cross" spread using only the 22 Major Arcana "Picture" cards

The first card laid is the "Significator" and describes the PCs current state.  In Tarot terms this is often described as the question that the appellant is asking of the cards.  For example a Fool in this position may indicate that the PC is a happy go lucky type of person blissfully ignorant of their place in the world or it could mean that they are quite literally the village idiot. 

The second card (The crossing) covers the first and identifies that which currently opposes the PC.  In other words the thing which must be overcome if the PC is to realise their goal.  This can often suggest some sort of personality or circumstance change which the PC must achieve.  For example a Tower in this position may mean that only by experiencing a disaster or tumultuous event will the PC be able to achieve their goal.  A devil on the other hand may signify the acquisition of power and wealth or the casting off of material possessions in order to fulfil ones potential.    

The third card represents the factors which are the foundation for the PCs current state these are considered to be the the things upon which the PC can rely upon such as their family or their own skills and strengths.  A "good" card such as The Emperor may mean that the PC has strength of focus or that they have an imposing father figure which they can rely upon.  A "bad" card such as the hanged man may signify that the PC holds an outdated opinion or principle or that they have had the strength to make a significant change in their life such as letting go of a previous life or relationship.   

The fourth card represents the PCs immediate past, events which may have happened very recently which have influenced the PCs current position.  A Tower in this position may signify a disaster from which the PC has fled with their life.  A Moon may signify that the PC has recently had an emotionally charged romantic relationship, also which they are fleeing or perhaps they are being chased by a lover (or more likely the lover's father).   

The fifth card signifies the PCs immediate future, that which may come to pass irrespective of the PCs actions within the next few days.  This is something of a gift for the DM and I often use it as a mechanism to gift the player a plot hook or some sort of advance knowledge which they can use in an upcoming encounter.  Of course to be really effective it should also be intentionally vague and mean little or nothing to the player initially.  Consider this to be the "you will meet a dark stranger" moment of the reading.

The sixth card represents the best possible outcome or as I like to think, the PCs ultimate goal or desire.  This card is probably the most important in the spread as it directly influences the PCs motivations.  A Judgement card in this position may well signify that the PC is mindful of their mortality and wishes to do good deeds to prepare for their own accounting before their chosen deity.  A Hermit in this position may mean that the PC seeks isolation, retrospection in the pursuit of the search for truth. 

As you can see from the example interpretations of the cards, they offer an almost infinite number (53,721,360 to be exact) of permutations and potential ideas for even the most jaded old school player who bears the scars of a thousand personalities.

Insta-Deck of Fate


There are those times in a game when the party are on their last legs and hope is something which has long since put on it skedaddle trousers and exited stage right.  This is when you ask one of their number to draw a card from the fate deck.

Use this as an opportunity to introduce a new game saving factor relevant to the card.  For example a prone hero about to be beheaded by a nefarious bad guy draws the Heirophant and the bad guy suddenly has a pang of conscience and decides to do the right thing and pauses… leaving them wide open for a killing blow.

My advice is to use this sparingly and only in dire circumstances to avoid a meaningless and game altering character death, otherwise the players may begin to consider their characters as somewhat immortal.

The Dream Sequence


I have also used tarot cards to project PC dreams, visions or hallucinations.  How the players interpret the cards is up to them, but at least it gives an player something to reflect on as the blood slowly drains from their PCs unconscious body.  Perhaps it includes some insight into their current predicament or some final sage advice about mending their ways should they be restored to health by their comrades, you choose what it really means.

The Story Generator


In much the same way as in the character generation above, the Tarot can be used during the plot generation process.  Draw a few cards to generate a handful of significant NPCs around which the plot revolves and then do Celtic Cross spreads for each of these.  The goals and obstacles that they must overcome will often suggest some sort of contested relationship in much the same way as players generate relationships, needs, objects and locations between each other during setup in a game of Fiasco.

For those readers who feel uncomfortable with using a Tarot, I can heartily recommend the use of Inkwell Ideas Encounter Decks which contain a wide variety of story ideas.  Vintage accessories such as the "Whimsy" or Story Path Cards also have potential for storyboarding your games.

Indie RPG fans may also be familiar with the innovative storytelling map drawing game, The Quiet Year, which uses a standard playing card deck to generate weekly events which shape a world and its inhabitants.  Many of these events can be lifted directly from the game to create world shaping events for your own campaign.

Interpreting the Cards


I recommend only using the 22 major arcana cards mostly because these are the pretty ones but also because it's a lot easier to just reference the 44 different meanings (each card has 2 orientations Upright and Reversed) rather than the 156 of a full deck.

The tarot card meanings are intentionally vague and are supposed to inspire associations in the mind of the appellant (the player) and the reader (the GM) is merely using it as a device to stimulate creativity.  Many of the meanings are allegorical based on the significance of the objects found in the images.  For example the Fool is often depicted being followed by a dog which signifies unconditional love.  The hanged man is usually depicted tied by one leg which harks back to medieval punishment for traitors.  These symbols may of course mean something else to the appellant and cause them to imagine some other significance for their PC.  There are a plethora of resources for Tarot meanings including handy reference apps for the mobile gamer.

A Final Word about Death, Devils and Towers


The appearance of the Death card is often followed swiftly by a sharp intake of breath.  In tarot terms the Death card actually signifies the end of a phase of life and a transition to something new.  Interpreting this card as PC death, particularly if it appears in the fifth position of the spread described above should be avoided.

This should also be the case with the Devil and Tower cards which also signify disturbance or change rather than a career ending catastrophe.

Saturday, 1 October 2016

Reaper Bones: Horace "Action" Jackson

Although my progress on the bones minis has been painfully slow, at least some has been made in the last year or so.

Horace "Action" Jackson is one of those rare minis which does exactly what it says on the tin.  He's your archetypal badass disco dude.

Horace "Action" Jackson
Amazingly I had never seen the Reaper Miniatures Figure Finder page for him before I set about painting him and lo and behold if I didn't choose exactly the same colour scheme for him.

He's already seen some action on the table and despatched some jive ass talking turkeys (aka undead)

Bones Progress 

Reaper Bones: 245 - Painted: 36

Related Posts:

  • Reaper Bones: The Marathon Begins - Where I paint a dozen Giant Rats
  • Reaper Bones: Kobolds, Are They Dogs or Dragons? - Where I paint a dozen kobolds. 
  • Reaper Bones: A Carcase of Skeletons - Where I paint a half dozen skeletons
  • Reaper Bones: A Shuffle of Zombies - Where I paint five zombies.
  • Reaper Bones: Introducing Shaina Coppervein, Dwarven Orc Hunter - First PC mini
  • Reaper Bones: Mimic, Treasure Chest and How I re-base my Bones - Where I paint furniture
  • Reaper Bones: Fire Elemental Meets Novelty Lamp - Where I hack a mini with LEDs
  • Reaper Bones: Flaming Sphere LED Tealight Hack - Another mini LED lighting project 
  • Reaper Bones: Elliwyn Heatherlark, Gnome Bard - Another PC mini
  • Tuesday, 27 September 2016

    Back on the Horse

    Well tonight sees me writing my first blog entry since July 2016 and a lot of water has passed under the life bridge.  A new job in the private sector was kicking my arse for a while but I now seem to have it all under control (foolish words?).

    A return to DMing

    In recent weeks I have also returned to DMing after a long hiatus.

    When the opportunity arose (a nice way of saying that a game collapsed and I stepped into the breach) I have to say I was filled with doubt.  Could I still do it?, would I be able to juggle the balls of work/life balance to give time to prep? would I be able to physically last for a 3 hour session after a hectic day at work?

    Technically not a horse, but this is how I felt about DMing after an 1,800 day detox
      Well I did manage to survive and I can't believe how much I enjoyed it.  Sure it was not my finest hour and I was a little rusty, but I made it through to the other side and I think my players really enjoyed it.

    Most likely the two go hand in hand, without the catalyst of an ongoing campaign I did not have the creative juices flowing through my mind in order to create content and to share those ideas with you the RPG community.

    Old Skool Shits and Giggles

    The scenario I ran was an epilogue to the NSFW module Liberation of the Demon Slayer by +Venger Satanis, and Bryan Winter's decidedly Old Skool scenario Baron Mikrut's Tomb from Pulp Dungeons #5: Uninvited Guests published by Corsair Publishing back in 1997.  The latter posed a few problems when it came to monster stats because it was one of those systemless scenario which used to get published back in the day by Independent Publishers who didn't want to sign up to OGL or pay system royalties.

    Pulp Dungeons #5: Uninvited Guests (1997 Corsair Publishing)
    by Gary Gygax (it must be old skool)
    They always require a bit more DM effort than "Official Modules" but they often have a much bigger payback in terms of not suffering from the usual tropes or baggage which come with trying to fit into an established milleu.   

    I'll do a proper synopsis on My Campaign Blog but suffice to say the PCs handled the nuclear winter, mutated wildlife, a demon invasion and a dungeon crawl with aplomb.  Thanks to all those who took part it was a lot of fun.  

    So my mind is made up and I will now start to...

    Plan My Next Game

    The question is where do I set my next game.  The library is fully stocked with plenty of dungeon magazines and some old skool scenarios and I have 3 months to put something together to astound and amaze.  Will I be proactive? Will I labour furiously to craft a campaign so cunning that it will be the talk of my game group for years?

    Probably not, but I'm going to do it anyway.    

    Wednesday, 1 July 2015

    Dungeonmorph Dice gets an Ennies Nomination

    The 2015 Ennie Award Nominees are out and I don't normally get excited about these sorts of things as Gen Con is so far away and I'm unlikely to get the chance to go myself.  However, this year is different and I will be rooting for Inkwell Ideas Dungeonmorph Explorers Dice in the "Best Aid / Accessory" category.

    What sets Dungeonmorph Dice apart from the other products in the category is one word... 


    This nomination is more than just a reward for Joe, it's a reward for all the geomorphing contributors that have been part of our odd little cartographic community for the past 4 or 5 years. 

    I know how difficult it is to come up with unique cartography and, through my involvement with the Dungeonmorphs 2 Kickstarter, how much work goes into making this idea into a real product.  The hours pouring over designs, selecting the best ones and making subtle changes here and there, not to mention the wrangling of manufacturers and shipping out orders. 

    Congratulations to all the mappers out there that made this possible and lets spread the word and turn this nomination into something bigger.

    Monday, 22 June 2015

    A to Z of UK RPG in the 80s: M is for Mayfair Games

    M is for Mayfair Games founded by Lawyer Darwin Bromley in 1980.  This small games publisher branched out into RPGs with the help of veteran Bill Fawcet and began publishing their "Unofficial" AD&D / D&D / T&T compatible adventure modules like 1982s Question of Gravity under the Role Aids banner.  Their attempt to steer through the copyright minefield by using the coverline "Advanced Dungeons & Dragons is a trademark of TSR Hobbies, Inc. Use of the trademark NOT sanctioned by the holder." they eventually fell foul of the changing attitudes to product licensing at TSR.

    Looking at these modules through OSR spectacles they are refreshingly light, yet ambitious and Question of Gravity in particular has a quite unique take on the traditional dungeon.

    The cover art (by Fantasy author Janny Wurtz) does not allude in any way to this singularly impressive locale which is the focii for this scenario... 

    ... a dungeon on the inside of a 1000ft wide cube.

    The interior maps are an impressive feat considering the lack of digital artistry back then.  I saw something similar nearly 20 years later in Issue #86 of Dungeon Magazine which was a Tracey Hickman Dragonlance scenario called "The Anvil of Time" but this was only one room not a whole dungeon.

    Grids are notable absent from the maps, this was the 80s after all, where play was freer and not concerned with tactical movement, flanking or god forbid Attacks of Opportunity!!  The room (or should I say platform) descriptions oddly don't have the tried and tested "read aloud to the players" boxed text that we have all come to know and love in our pre-written dungeon crawl modules, but in this case I can understand.  Enemies can come from any direction and the mind boggles at trying to replicate this on a tabletop grid.  The descriptions are brief and designed to give a flavour of what you may encounter, the salient points rather than detailing the minutia.

    original hand illustrated map (click to embiggen)Sketchup Render (click to embiggen)

    Whilst these modules are rare, they are still available in all the usual places, and they may well prove to be an unexpected and inspirational distraction for your players.  I know that I've got plans for using the cube in my own campaign world.