A Gift from the Gods

Gifts of the Gods is the theme for this month's RPG Blog Carnival kindly hosted by the Sea of Stars RPG Design Journal.

A Clash of Titans

Whenever I think about divine artifacts I am reminded of Clash of the Titans (1981) where Perseus is gifted:

• A helmet of invisibility - given to him by his father Zeus
• A magic sword - gifted by Aphrodite
  
• A magic shield - given by Hera

This trio of powerful magic items would make most PCs wet themselves, particularly if given to a relatively low level character as in Perseus case.  However, what we must also recognise is that Perseus is a demi-god.  I very much doubt that this sort of largess would be shown to a mere mortal so why should you do the same for your PCs?

Clash of the Titans (1981) - Release The Kraken

A Pawn of the Gods

The Gods play games from their lofty home of Olympus.  In the movie Zeus is bound to honour the laws of Olympus which means he must allow Andromeda to be sacrificed to the Kraken but he does not have to play the game fairly.  We mere mortals cannot fathom the machinations of Gods, but we do know that Perseus is his pawn in that game.

When contemplating granting a PCs a gift of the Gods, it should definitely come with strings attached.  A great evil must be defeated, a quest achieved which benefits the Gods in some way.  It could even be a wager between two Gods.  Whose champion will be first to succeed the trials and rescue the maiden?

Have a warlock in your party?  Well in order to receive their power they need to have made a compact with an eldritch power.  The PC is a manifestation of that power and must obey the whims of their master.  Power does not come without consequence so exercise some consequence now and then.  

These could all be great epic story arcs in themselves and would certainly add flavour to any mythical campaign.

Single use Deus Ex Machina

Another way to resolve the dilemma of giving PCs uber powerful magic items and turning them into OP Murder Hobos is to make them single use.  It is not unusual for an item to be crafted with a sole purpose in mind and once that purpose is achieved it is destroyed or loses its magical properties.    

The Gift of Information

Information can often be the most powerful weapon of all and having a God visit you in your dreams or answer your prayers with knowledge can be a blessing.  When faced with insurmountable odds or an impenetrable fortress, the knowledge of a secret entrance to the big bad guy's inner sanctum would be just as effective as hiding inside a wooden horse.

Blessings and Curses

Having a God backing your cause can be a real boost.  In fact why not give your PCs temporary stat increases or something visible to others like a glowing aura, a halo or give them perfect hair.  If your game is set in a quasi medieval world where everything is caked in a layer of grime, make your blessed PCs stand out from the crowd by mud literally not sticking to them.

"By The Gods..." is a popular invocation among PCs.  How about you actually give PCs the power of minor curse.  Alternatively, you could bestow the power of curse reflection upon your characters which could lead to some interesting interactions with local NPCs.   

By the Power of the Pantheon

Of course playing with Divine Items requires you to have at least one God or better still a Pantheon as part of your setting.  If your games are set in one of the many published settings like Forgotten Realms you have a cavalcade of Gods to choose from.

Otherwise treat this as an opportunity for some world building with your pious PCs.  If like me you are a fan of Terry Pratchett, you may have read Small Gods, a satire upon religion and politics.  The power of the Gods is directly related to the size of their congregation. In the book Om is a once powerful God stuck in the body of a small turtle and the novice acolyte Brutha is his one and only true believer.  What better personal mission for the party's Cleric than to spread the word of their God and convert believers as they move from town to town.

Plot and Personal Quests Breeds Engagement

I have always been a firm believer in incorporating elements of PC backgrounds into my plots to give every player around the table a real tangible reason to be engaged in the story.  If players include a deity in that background then why not use it.  Your players will feel rewarded when part of the background that they have created becomes a central motif to the weeks play. 

How Do you Deal with Divine Gifts in your Game?  

I don't have all the answers (that would be omniscience) and to the point of writing these blogs is to share ideas.  If you have any cool examples of how you gifted a player a divine artifact then please leave a comment in the box below.

Encounter by Encounter - A Nodal Design View of a Campaign

Nodal Design suits my way of scenario writing and I have explained the concept in articles before but maybe what I have left on the table is a real world example.  

In 2019 I ran a Judge Dredd campaign "Tales from Mega City" for a small group of 4 Street Judges using the Starblazer Adventures game system.  The campaign spanned 11 sessions and whilst everyone had a passing familiarity with the two Judge Dredd movies that was about all they knew about Mega City 1.  In this example each encounter is a node with multiple paths or options to their next encounter. 

Session 1 - Encounter 1 - Sector House Briefing

The first encounter does a number of things.  It establishes some characters (namely Judge Belloch) some world lore (weather control, sector 55) a location (Loop Plaza) and two future events (the super duper loop unveiling, the fidget spinner race) which the PCs should be aware of.

The players get to choose which of these events they want to pursue.  Which one they decide to follow is immaterial as whilst they are on their way there they will experience the next encounter.  Whilst some might misconstrue this forced encounter as a form of Railroading, when done in a sidetrek style, the GM has not removed any player agency just introduced another immediate encounter.  In D&D this would probably take the form of a wandering monster encounter or a sidequest.  

Session 1 - Encounter 2 - Roadblock

Whilst heading towards their chosen destination via Megway 5535 (location) they observe 2 Judges who have set up a temporary roadblock.  The PCs decide to stop and chat with them but could easily have passed them by.  The PCs all make observation checks but fail and get back on their bikes and continue on to loop plaza.  This was an opportunity for players to make their first skill check and learn a little bit about the game system.  In my experience if you let players go too long without rolling some dice they become disengaged. 

Further down the road they players all get to make another skill check, this time it a Law check.  Judge Holmes passes and gets rewarded with the info that Judge White's left knee pad was on upside down.  Once again it is up to the players what they do with that information.  Holmes decides it warrants further investigation and they return to the scene of the roadblock.  

Session 1 - Encounter 3 - The Security Guards

When they arrive at the scene the Judges are gone but their Lawmasters remain. Two security guards flag the Judges down and tell them that the Judges White and Greene requisitioned their van and sped away up the off-ramp to Meg 5527.  The guards also mention that they forgot to tell the Judges that they were carrying an explosive cargo which is sensitive to shocks.  This introduces a sense of urgency to the proceedings.   

The players also make a successful Law roll which gets them the hint that this feels like a case of Judge Impersonation and Road Piracy, both serious crimes.  However, the Judges bikes are the real deal which means that there are two Judges to be found and that could be the far more serious crime of Judge Homicide.

This is a lot of exposition but it is vital information which might influence the choices that players make now the are faced with multiple options.  Do they protect the public and chase down the van?  Do they try to find the real White and Greene? Or do they take the bold step of splitting up and doing both at the same time?  

One player asks if they can put out an All Points Bulletin (APB) on the van and is rewarded with a solid YES.  They can now focus on the immediate task of finding White and Greene.

Session 1 - Encounter 4 - The Tyre Tracks

A cursory search of the nearby roadside shows a set of tyre tracks leaving the road and entering an overgrown patch of vegetation.  Buried in the undergrowth, out of sight, is a small town car.  Muffled cries can be heard from inside the trunk.  Opening the trunk reveals Judges White and Green bound, gagged and stripped down to their regulation underwear.  The Judges reveal that they were taken by suprise by 2 assailants and knocked unconcious.  

Meanwhile one of the PCs investigating the undergrowth spots a rustling in the bushes and goes to investigate.  Parting the branches of a shrub they briefly spot a flash of yellow but the area behind the bush is empty.  This mini event is a piece of foreshadowing and introduces a potential sidetrek involving Pokemon which that PC might choose to investigate at a later date.  Giving individual players their own sidetreks is a useful way of keeping them engaged in the game especially in a "Detective" style scenario where one or two players may be actively questioning Non Player Characters and others are just standing around.

The encounter ends with a call from Sector HQ informing the players that the van has been spotted entering a Through-Way near Thatcher Towers.  With Judges White and Greene found the GMs job is now to get the players back into urgency mode and on the trail of the Jimps and the explosives.  Keeping the players "on plot" by using things such as radio comms or telephone calls is a perfectly legitimate way of reminding them that events they had the choice of following up are still unfolding and now need their attention.

Session 1 - Encounter 5 - The Throughway and Thatcher Towers

When the players arrive they find the van parked awkwardly on the roadside.  The cargo hold is empty apart from 2 Judge uniforms.  Successful observation checks from the players (it's been a while since they rolled some dice) reveals 4 CCTV cams belonging to Thatcher Towers block with good views of the van.  This naturally leads them to make their way to the block security station and the CCTV recordings. 

When they enter the block at level 250 (GM: establishing the scale of Mega City buildings) they encounter the BREXIT political rally and that there is someone called Nigel.  This is another piece of foreshadowing of the real plot to the scenario but it is intentionally glossed over as just a bit of scene setting.  If the players get involved and try to break up the rally then I would have let them do so. 

When the players get to the security station and demand the tapes, the security guard tells them that they weren't covering the through-way because they were focusing on the BREXIT rally.  Whilst this is the GM effectively saying "No" to the players, it is the first time and it is backed up with a solid reason.  This is also an example of an event which Must Happen.  The trail of the missing explosives must go cold at Thatcher Towers because their recovery and the possible arrest of the Jimps might lead to future events in the plot timeline not happening. 

Before any of the players can react to this Judge Belloch's voice shouts at them through their radios demanding that they get to Loop Plaza pronto.  This ends the session nicely but also reinforces the idea that events are going on around them which don't stop happening because of the choices that they make.  These Timeline Events are always going to be experienced from the perspective of the PCs so you will need to be either flexible about when they happen or the way in which the PCs experience them.  This might in real time, via a news report or in third hand witness statements.  The event still happens irrespective of the players actions.  Similarly if the players had chosen to patrol the Fidget Spinner Race then the message from Sector HQ would have been to attend the race.    

When all put together the nodemap for this session looks a bit like this:

When designing the scenario from scratch you may go through this process multiple times as you focus in on what is important for each session. In fact having a node map at the macro level is useful.  What I like about this particular style of scenario design is that you only need to do the detail work for the encounters that are highly likely to happen.

For example, I knew that there could be a potential shoot out if the PCs chose to "chase the van" and so would need a stretch of Megway battlemap and a few vehicles.  However, this didn't take place so there wasn't much effort wasted and I could always reuse that battlemap another time in another session.  

When the Bad Guys Win

When the Bad Guys Win is the December 2020 RPG Blog Carnival theme kindly hosted by Rising Phoenix Games.

Losing is a quintessential part of Joseph Campbell's The Hero's Journey in fiction. 

It's right there at the bottom of the circle.  Our hero must enter the Abyss or face a challenge in which he metaphorically is destroyed and reborn a hero.  It's something that every hero must go through. 

Some Cinematic Bad Guy Wins Scenarios

Judge Dredd (1995) - The bad guys win when Dredd is framed for the murder of journalist Vartis Hammond and his wife Lilly.  Incontravercial forensic evidence in the form of DNA encoded bullets is presented giving Dredd the death penalty.  Judge Fargo steps down and in his final act as Chief Justice commutes the sentence to life imprisonment in the Aspen Penal Colony.  He is on his way to the Abyss before a chain of events is set in motion by the notorious cursed earth cannibals the Angel Gang.  

The Lord of The Rings - There are quite a few moments during LoTR that are bad guy win scenarios but the one that always springs to mind is when Boromir falls to the

The Empire Strikes Back (1982) - Things look pretty bleak at the end of Empire.  Han is frozen in carbonite and on his way to Jabba the Hutt.  Luke has lost a hand and found out that his father is Darth Vader.  Lando has lost Cloud City and the rebel fleet are on the run.  Does it get any worse?

Rookie GM Mistakes

One of the worst mistakes you can make as a GM is to reveal your bad guy too soon.  Your heroes need to get a few wins under their belts against minions, they need to foil some minor schemes to bring them to the attention of the big bad.  They need to be filled with a false sense of their own abilities and greatness before you drop the hammer on them.

The hero's journey circle above is divided into two halves, the upper being the known world, the world that the heroes have familiarity and can exert some control over.  The second half is the unknown representing the world that the big bad has demense over.  The conflict with the threshold guardians is a pivotal moment in this crossing over to the unknown world where things are not in their control.

But hold on we aren't ready just yet.  You need to put their backs up against the wall, you need to take them to the edge.

NPCs are Destined to Die for a Reason

I always recommend having at least one NPC in a party for a number of reasons such as channeling DM hints, filling skills gaps or for introducing plot or story knowledge.  I particularly like using the NPC as a patron or leader who joins the party on their quest. 

However, one of their greatest uses is to be a casualty of war.  Having a beloved NPC die can be a pivotal moment in a story which makes it real for the players.  This is particularly effective if the NPC performed a vital function in the group, such as the healer or their guide.  Making the players genuinely feel a sense of loss is just one of the ways you can ramp up their stress levels and make their futures seem genuinely uncertain and perilous.

Death and Rebirth 

We've all been there rolling our death saves whilst the rest of the party finish off the ork horde.  How many times have you been healed from near death and just carried on as normal?

This is a great opportunity for the GM to impart some wisdom or knowledge to the "dead" player which will give them an advantage in the final battle.  How many times have you watched a death dream sequence?  It's a popular trope for a reason.  

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Thanks of course go to Of Dice and Dragons for continuing to promote the RPG Blog Carnival.  This is my 6th entry and you can read the rest by clicking the RPG Blog Carnival tag below.

 

 

       

Lasers & Feelings: How can you fit so much game in just 1 sheet of A4?

The April 2020 RPG Blog Carnival hosted by Codex Anathema has the interesting theme of "To Boldly Go" which for me only means one thing... Star Trek.

Star Trek in a Single Page

I'm a big fan of Indie RPGs and when I make my annual pilgrimage to London's biggest RPG convention, Dragonmeet, I always try to get myself in on a game run by the London Indie RPG Meetup Group.  Games are pitched every hour, on the hour and usually run for 2 to 3 hours.  It is very rare that I can't get a game of something at the first attempt.

I first encountered Lasers & Feelings at one such Dragonmeet and was blown away by it's simplicity.  The entire game, including the plot generator, fits on one sheet of A4.  The game unashamedly harks back to the halcyon days of Star Trek (TOS) with its focus on derring do and emotionally chargeds romantic encounters.

Skills (Lasers and Feelings)

The core mechanic of the game revolves around two skills, Lasers (all the physical stuff and technical stuff) and Feelings (all the intuition and emotional stuff).  When you generate your character you choose where on the scale of 2 to 5 you want to be, The higher the number the more adept at Lasers, the lower the number the more adept at Feelings.

Skill checks are done with 1 or more D6 with Laser success rolling BELOW your skill number and Feelings ABOVE your skill number.  A roll of exactly your skill number results is known as LASER FEELINGS and you get to ask the GM a question which he will answer honestly.

These people are not meekly going on a space adventure

This sort of super simple system often results in Lasers characters being required to make Feelings rolls and the system includes a mechanic for helping out your crewmates by lending them a die.  Counting the number of successes

Like a lot of Indie RPGs the game lends itself to players contributing ideas on the fly from worldbuilding to storyline.  The best games I've played and run have always built upon the skeleton of the Adventure Creator with the best ideas being supplied by the players.  If you are going to try it unleash your imagination and you will have a blast.

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Thanks of course go to Of Dice and Dragons for continuing to promote the RPG Blog Carnival.  This is my 6th entry and you can read the rest by clicking the RPG Blog Carnival tag below.

The Tarot and its use in RPGs

As soon as I read the title of the Jan 2016 RPG Blog Carnival I knew I had to write something about my use of Tarot cards in my Fantasy RPGs over the years.

The Deck of Many Things (aka RPG History 101)

As many of you will know playing cards have been used as physical representations of the cards in the classic deck of many things since its inception.  The first published reference of the use of tarot dates back to 1983 where Michael J. Lowrey codified its use in AD&D in his article published in Dragon #77.  It's also in the D&D SRD so as far as I'm concerned it's cannon!!

Presenting your players with a tattered tarot deck lends an air of theatricality and mystique to your game which will not go unnoticed by your players.

Tarot as a Character Generation Tool

Surprisingly there was a time before the 5e Background Generator and some players always seem to have difficulty coming up with interesting motivations for their PCs.  I have often used a much simplified version of the Celtic Cross Spread to help them to generate their own ideas for their characters background and motivations.

A typical shortened "Celtic Cross" spread using only the 22 Major Arcana "Picture" cards

The first card laid is the "Significator" and describes the PCs current state.  In Tarot terms this is often described as the question that the appellant is asking of the cards.  For example a Fool in this position may indicate that the PC is a happy go lucky type of person blissfully ignorant of their place in the world or it could mean that they are quite literally the village idiot. 

The second card (The crossing) covers the first and identifies that which currently opposes the PC.  In other words the thing which must be overcome if the PC is to realise their goal.  This can often suggest some sort of personality or circumstance change which the PC must achieve.  For example a Tower in this position may mean that only by experiencing a disaster or tumultuous event will the PC be able to achieve their goal.  A devil on the other hand may signify the acquisition of power and wealth or the casting off of material possessions in order to fulfil ones potential.    

The third card represents the factors which are the foundation for the PCs current state these are considered to be the the things upon which the PC can rely upon such as their family or their own skills and strengths.  A "good" card such as The Emperor may mean that the PC has strength of focus or that they have an imposing father figure which they can rely upon.  A "bad" card such as the hanged man may signify that the PC holds an outdated opinion or principle or that they have had the strength to make a significant change in their life such as letting go of a previous life or relationship.   

The fourth card represents the PCs immediate past, events which may have happened very recently which have influenced the PCs current position.  A Tower in this position may signify a disaster from which the PC has fled with their life.  A Moon may signify that the PC has recently had an emotionally charged romantic relationship, also which they are fleeing or perhaps they are being chased by a lover (or more likely the lover's father).   

The fifth card signifies the PCs immediate future, that which may come to pass irrespective of the PCs actions within the next few days.  This is something of a gift for the DM and I often use it as a mechanism to gift the player a plot hook or some sort of advance knowledge which they can use in an upcoming encounter.  Of course to be really effective it should also be intentionally vague and mean little or nothing to the player initially.  Consider this to be the "you will meet a dark stranger" moment of the reading.

The sixth card represents the best possible outcome or as I like to think, the PCs ultimate goal or desire.  This card is probably the most important in the spread as it directly influences the PCs motivations.  A Judgement card in this position may well signify that the PC is mindful of their mortality and wishes to do good deeds to prepare for their own accounting before their chosen deity.  A Hermit in this position may mean that the PC seeks isolation, retrospection in the pursuit of the search for truth. 

As you can see from the example interpretations of the cards, they offer an almost infinite number (53,721,360 to be exact) of permutations and potential ideas for even the most jaded old school player who bears the scars of a thousand personalities.

Insta-Deck of Fate

There are those times in a game when the party are on their last legs and hope is something which has long since put on it skedaddle trousers and exited stage right.  This is when you ask one of their number to draw a card from the fate deck.

Use this as an opportunity to introduce a new game saving factor relevant to the card.  For example a prone hero about to be beheaded by a nefarious bad guy draws the Heirophant and the bad guy suddenly has a pang of conscience and decides to do the right thing and pauses… leaving them wide open for a killing blow.

My advice is to use this sparingly and only in dire circumstances to avoid a meaningless and game altering character death, otherwise the players may begin to consider their characters as somewhat immortal.

The Dream Sequence

I have also used tarot cards to project PC dreams, visions or hallucinations.  How the players interpret the cards is up to them, but at least it gives an player something to reflect on as the blood slowly drains from their PCs unconscious body.  Perhaps it includes some insight into their current predicament or some final sage advice about mending their ways should they be restored to health by their comrades, you choose what it really means.

The Story Generator

In much the same way as in the character generation above, the Tarot can be used during the plot generation process.  Draw a few cards to generate a handful of significant NPCs around which the plot revolves and then do Celtic Cross spreads for each of these.  The goals and obstacles that they must overcome will often suggest some sort of contested relationship in much the same way as players generate relationships, needs, objects and locations between each other during setup in a game of FIASCO.

For those readers who feel uncomfortable with using a Tarot, I can heartily recommend the use of Inkwell Ideas Encounter Decks which contain a wide variety of story ideas.  Vintage accessories such as the "Whimsy" or Story Path Cards also have potential for storyboarding your games.

Indie RPG fans may also be familiar with the innovative storytelling map drawing game, The Quiet Year, which uses a standard playing card deck to generate weekly events which shape a world and its inhabitants.  Many of these events can be lifted directly from the game to create world shaping events for your own campaign.

Interpreting the Cards

I recommend only using the 22 major arcana cards mostly because these are the pretty ones but also because it's a lot easier to just reference the 44 different meanings (each card has 2 orientations Upright and Reversed) rather than the 156 of a full deck.

The tarot card meanings are intentionally vague and are supposed to inspire associations in the mind of the appellant (the player) and the reader (the GM) is merely using it as a device to stimulate creativity.  Many of the meanings are allegorical based on the significance of the objects found in the images.  

For example the Fool is often depicted being followed by a dog which signifies unconditional love.  The hanged man is usually depicted tied by one leg which harks back to medieval punishment for traitors.  These symbols may of course mean something else to the appellant and cause them to imagine some other significance for their PC.  There are a plethora of resources for Tarot meanings including handy reference apps for the mobile gamer.

A Final Word about Death, Devils and Towers

The appearance of the Death card is often followed swiftly by a sharp intake of breath.  In tarot terms the Death card actually signifies the end of a phase of life and a transition to something new.  Interpreting this card as PC death, particularly if it appears in the fifth position of the spread described above should be avoided.

This should also be the case with the Devil and Tower cards which also signify disturbance or change rather than a career ending catastrophe.

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Thanks of course go to Of Dice and Dragons for continuing to promote the RPG Blog Carnival.  This is my 5th entry and you can read the rest by clicking the RPG Blog Carnival tag below. 

RPG Blog Carnival - What Campaign do I want to Play Next?

This month's RPG Blog Carnival hosted by Age of Ravens is entitled "Campaigns I'd Like to Run".  The short answer to which is always "my next one".

The Lands of Dual

It's been over 2 years since I last ran my Castles & Crusades campaign world, The Lands of Dual, and high time that I revisit it.  Of course I can't go into much detail about what will be happening as some of my players may inadvertently read this blog and that would most definitely let the cat out of the bag.

Geography

The Lands of Dual (interactive map availiable via MapLib)

In previous campaigns I've asked players to pick an unexplored area on the world map as their birthplace and write up a little description of it as part of their background. 

This has been quite successful but there are a still quite a few parts of the world which could do with being explored or at the very least developed:

• The Frozen North & South - no-one has ever visited the northern icecaps so no-one knows what's there.  Perhaps a hidden valley with it's own microclimate, perhaps even a tunnel into a hollow world below, on the other hand it could just be the land of the long white death.
• Hjorselandte - The interior of the land of the horsemen is rumoured to be inhabited by a race of wild and savage centaurs.
  
• Kharis and Haki - These two warring domains, one a Matriarchy, the other a Patriarchy, could be of interest to the ladies in my group.  Think Amazonia, She-Ra, Xena Warrior Princess, Wonder Woman.

Races 

I'd like to expand on my demihuman races a little:

Salamankari (Lizardfolk) - Early on in my last Dual campaign one of the players chose to be a Red Salamankari (Red Lizardman).  We had a blast with the species racial history,  particularly in setting up some great bio-religious schism which caused the species to fork into two distinct coloured subtypes, the green marshdwellers and the red desert dwellers.  I'm thinking about adding at least one more subtype, but the details will have to stay secret.

Elfenkin - In Dual, Elves also have subtypes which are very closely aligned with their respective environments and elements.

• Sea Elves (Vassadhim) - I'd like these elves to be something like the mariner from Waterworld, semi aquatic they can breath underwater and cruise the deep oceans in boats crafted from driftwood and kelp.  Their magic is restricted to the elements of Air and Water crucial to their survival on the high seas.  Their skin has a lightblue colouring and shimmers like fish scales.

In my world Kevin Costner is blue, honestly it will make sense, I promise.

• Cloud Elves (Aerohimm) - The Aerohimm have broken the bonds of Earth and risen into the clouds in their glimmering floating cloud fortresses.  They keep a watchful eye over all the lands and are said to resemble angels being very tall and lithe with long flowing white hair.  They have a longstanding pact with the Grand Caliph of the Djinn, who supplies the Aerohimm with Elementals to power their great crystal castles.  It is said that they are the most cultured of the Elfkenkin and are fond of humans, often having relationships with them which bear children.  Their magic is largely concerned with the element of air although they are the only elfenkin who practice all forms of elemental magic.

• Green Elves (Woedhimm) - Woedhimm shun contact with the other races of Dual and are rarely seen outside their woodland kingdoms.  They are reclusive and secretive, the few sitings of them suggest that they are the most diminutive species and their mastery of camoflague is exceptionally.  Their magic is restricted to the sphere of Earth and Water.
• Desert Elves (Desierto, literally "The Abandoned") - Desierto are a peculiar species of elves in that they are a loosely knit community of fierce nomadic tribespeople who roam the great deserts in large caravans ekeing out an existence.  They are legendary masters of desert survival and their skills are highly prized by caravanserai who employ them as trackers and guides for journeys through the treacherous deserts.  They have ruddy skin, and wear brightly coloured gallebya, their dreadlocked or braided hair is woven with complex beadwork which is said to be a record of their life.  Their magic is restricted to the elements of fire and wind, but they are alo excellent desert animal handlers.

House Rules

I have been doing a fair bit of blog reading and some of the house rules I've seen have piqued my interest:

No Alignments at Level 1 - I first read about Character Funnels in the Giblet Blizzard article DCC: Funnel Runners, and it struck a chord with me.  One of the things that has always bugged me is the chasm of difference between what a PC's character sheet says their alignment is and how it ends up getting played.  This is sometimes the fault of the player but it can equally be a reaction to a party dynamic.

Whilst I don't think I could convince my players to go the whole hog by using the Character Funnel approach to create zero level PCs (check out Purple Sorceror's neat DCC Generator), I think it is perfectly acceptable to only let them decide what alignment their character is at the end of a few sessions of play when they level up.  I might even knock up some quick alignment tokens to award players during play or have Karma Points or something.

Magic Corruption - I wrote a little D20 table of Corruption Effects for Mage Levelling and I will be getting my players take on whether or not they like it and if they would still choose to play a mage knowing that this house rule would be in effect.

Magical Prosthetics - Loved this random table of 100 Magical Prosthetics so much that I will definitely have to use it in my campaign should anyone lose an appendage through combat or the above corruption effects I shall be deploying prosthesis.  This might become even become a bit of a hook (pardon the pun), King loses his nose in an ill conceived duel and requires PCs to find him a replacement.

Meat Shields - In all my years of DMing and playing I've never used or utilised hirelings.  The closest that I've ever come to is when my fellow Hobbits Holer, Richard Wells, had us playing each others sidekicks in his Victorian Science Fiction game, but they were more than just hirelings.  This worked brilliantly and gave everyone the opportunity to be in two places at once.  So I think I'll return the compliment and do it in my game with mandatory meatshields.  Perhaps I'll utilise the DCC Party Generator to furnish them with stats or just stick with the meatshield generator.

The Desert of Desolation

It's been my long term ambition to run the Desert of Desolation series of modules (I3-I5), but I think I'll be having a mixed 1st and 3rd level party this time around so they're safe... for now

Plenty of food for thought I think you'll agree.

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Thanks of course go to Of Dice and Dragons for continuing to promote the RPG Blog Carnival.  This is my 4th entry and you can read the rest by clicking the RPG Blog Carnival tag below. 

August 2012 RPG Blog Carnival - What's in your Backpack?

The Gassy Gnoll of Game Knight Reviews is hosting this month's RPG Blog Carnival and asks the question "What's in your Backpack?" to which I answer "Item Cards".

A sample of item cards - Available as a free PDF from RPG NOW

Now you may think that this is just a piece of blatant self promotion, but in reality this is a question which has plagued some of my (and possible your) games for years...

THE BACKPACK OF HOLDING

These non-magical backpacks, which are entirely indistinguishable from a normal backpack, bestow upon certain players the uncanny ability to pull out exactly the right item with which to execute their plan and save the day in the nick of time.  When challenged these players will often say that they've had the item for ages or that they bought it in that town they visited 6 months ago. 

In the interests of game play it is often best not to argue, but there are times when it can be detrimental to the natural flow of the plot and you need the party to have eaten their last lembas cake, supped their last drop of water or be confronted by the reality that they don't have a rope to their name when they've got a rope type dilemma.

ENCUMBERANCE IS A CHORE

As Berin Kingsman writes, the backpack is "an in-game manifestation of my least-favorite mechanic: encumbrance" and I've got to agree with him.  Maintaining your equipment list as a part of your character sheet is a downright chore but it also presents a few other problems.

1.  Character sheets are a player's preserve not the GM's - When GMing, I'm pretty busy and certainly don't have time to ensure that your equipment is in order and that you've been marking off your rations like a good little player, that's your job!!.  However, this is easily rectified through item cards.  Basically, if you can't produce it when challenged then tough, you simply don't have it.  You can't argue all you want that you left it in your other backpack or it's in the saddlebags on the horse which is currently enjoying a holiday in the dragon's belly, but you'll only look stupid in front of the other players.  This also cures the "infinite spell components" faux pas which affects most spellcaster PCs.

2.  PC thieves steal from other PCs, fact! - How many times has your party contained a kleptomaniac PC who likes to look through everyones gear, well now they can, safe in the knowledge that they won't see any secret annotations on the victim PCs character sheet.  Just hand them the contents of your backpack and let them rifle through to their hearts content.  Better still, do it secretly and the victim PC might not even notice that the item is gone.

3.  PCs lose stuff all the time - If you had a 300 year old heirloom sword you'd look after it right?  Not PCs, they leave these things on inn tables, in slain dragons, on the floor, under pillows, in fact everywhere other than in their scabbard or sword belt.  Now unless these weapons are magical hammers like Mjolnir, most will only return to their owners hand with the assistance of copious amounts of strong elastic, which the last time I looked wasn't in their backpack!! 

Again the item card comes to the rescue, when they lose an item they have to give it up to the GM and it is lost unless they make a concerted effort to find it.  This also goes for those clumsy characters who seem to find every ravine or cliff edge and then fall off it, you break it you lose it.

A Medieval Flint and Steel

4.  Finding stuff is fun and rewarding - Finding shiny stuff is a pleasure that can often become dull with time.  But you should see your players eyes light up when you give them a new card with a picture of a diamond necklace, or a +1 magic spoon of dining.  It's like watching a bunch of kids opening pokemon boosters, all their birthdays and christmasses have come at once. 

But seriously, having a representation of an item can also be incredibly useful and educational.  A fact I discovered Whilst researching the images for my item cards.  My preconceptions about what an item looked like or how it was used were frequently challenged.  Just take the common or garden flint and steel, for years I imagined a piece of flint and a knurled steel rod (just like I used when I was a boy scout), but the medieval version was actually hoop shaped and held in the fist like a knuckle duster.

Likewise, I find players treat their loot differently when they can visualise it with a jewellery card or a gemstone card.  You can even make items critical to your plot in the form of a key or the parts of a puzzle.  When I last ran "Challenge of Champions" I created item cards for each of items provided in each challenge which was an immense help to my players (who are not all card carrying D&D geeks) when they tried to solve the puzzles in real time.

5.  50' of hemp rope is pretty large and heavy - This is the bit of encumberance which is frankly a cludge, as it's usually interpreted  as a function of weight and not a factor of bulk.  Other items aren't easily stowed such as a 10 foot pole.  It only takes up one slot on an equipment list but it doesn't fit in a backpack which means it has to be either put together in sections or you have to hold it.  Which leads on to the next problem...

6.  PCs only have one pair of hands, usually - The classic faux pas of most players is that they're so busy fighting with a two-handed weapon they forget that they're still taking the AC bonus from their shield.  Item cards come in handy (pardon the pun) as a visual reminder of what their PC is holding at any one time, a concept familiar to Legend of Zelda players the world over.  The logical extension of this is for players to arrange their cards in a series of stacks as a visual reminder, I normally define this as the BACK (carried on your back) RIGHT (hand), LEFT (hand), WORN (on a belt or on your head) and STOWED (on a horse or in a backpack) stacks. 

This is a particularly useful mechanic when either entering or engaged in combat,  as player will need to decide what they are going to attack with before hand.  If they lose a weapon through a fumbled roll they may need to draw a different one.  Spellcasters and other non-combat specialists may become embroiled and have to use up combat rounds fishing about in a backpack for that wand or pot of greek fire that they want to use.  It really does make a difference to how your party treats combat.

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Thanks of course go to Of Dice and Dragons for continuing to promote the RPG Blog Carnival.  This is my 3rd entry and you can read the rest by clicking the RPG Blog Carnival tag below.

Fantastic Locations: Mega City One

This month's RPG Blog Carnival, kindly hosted by Keith J Davies, is entitled Fantastic Locations, and whilst it is tempting to write up one of my own Fantasy campaign locations (like the home plane of the Djinn Caliph), I decided to look again at the origin of the word fantastic. 

According to merriam-webster the definition of fantastic  is:

• a : based on fantasy : not real  
• b : conceived or seemingly conceived by unrestrained fancy 
• c : so extreme as to challenge belief : unbelievable; broadly : exceedingly large or great

When balancing all three definitions it occurred to me that the only location which truly met the criteria was...

Mega City One

Mega City One Map

First appearing in Prog 2 of 2000AD (on 5th March 1977), Mega City One it is arguably the real star of the long running Judge Dredd comic book series.

Originally stretching across the entire Eastern seaboard of the once proud nation of the United States it was largely destroyed during the Apocalypse War and now is home to some 400 million citizens.  It's western edge is bordered by a gigantic wall which protects it from the mutant inhabitants of the irradiated wasteland known as the Cursed Earth.

Architecture of Mega City One

The majority of Mega City One's citizens live in gigantic 1000 storey high Post Atomic Tower Blocks dominating the skyline.  Nestled amongst these are smaller 500 storey blocks and puny 100 storey Pre-Atomic Blocks.  The proximity of the blocks means that daylight cannot reach the lowest (and consequently) poorest levels of some blocks leaving them in permanent darkness and giving rise to the nickname "City Bottom".  Much of what were once the shining corporate edifices of cities like New York has long ago been concreted over to form the foundations of these mega blocks and has created a subterranean "undercity" inhabited by a degenerate subhuman species of troglodytes. 

Winding around and through all of these structures are a spaghetti like network of megways (roads), slidewalks (moving walkways) and pedways (pedestrian only) which allow citizens to move between blocks and other locations.  Some of the citizens live in computer controlled mobile homes known as mo-pads which perpetually drive around cities megways.

Comparative Scales of
Contemporary Buildings
and a Mega City Block

The larger blocks house upto 60,000 citizens and contain everything that a person may need from schools, shops and recreation facilities to hospitals, offices and greenhouses.  Each block is a self contained town and it has been known for some citizens to live out their entire lives in the same block until they die and are carted off to Resyk for disposal.

Life in Mega City One

Robot labour has largely replaced that of humans and unemployment runs at a staggering 87%.  Most citizens try to find ways of aleviating boredom inevitably leading them to commit some sort of criminal activity which is dealt with swiftly by the city's law enforcers the judges.

This constant search for new ways to entertain oneself creates a steady stream of new crazes which sweep through Mega City like a plague (and are often just as deadly) and disappear just as rapidly leaving a swathe of destruction in their wake.  The crazes which have graced the pages of Judge Dredd strips over the years are often influenced by contemporary fashions or pastimes, but taken to an extreme level  For example body modification becomes crazes like fatties or uglies, extreme sports becomes crazes like boinging and skysurfing, even something as simple as being a pigeon fancier can be taken to the extreme when a "pigeon" is a giant prehistoric pterodactyl.

Living cheek by jowl can be stressful and there is always the chance that local rivalries will errupt into a full scale Block War between neighbouring blocks.  Each block is equipped with its own militia (aka Citi Defence) in order to prevent large scale conflict from ensuing but they are sometimes as much of a problem as a solution.  However, there are those citizens who just can't take living in such a crazy city are diagnosed as suffering from Future Shock Syndrome and end up taking their own lives and as many bystanders as they can.

Locations, Locations, Locations

The beauty of Mega City One is that it operates on a scale so vast that anything you can imagine might exist on an entire planet can exist within the walls of the city.  Want a zoo stocked with terrifying alien creatures? have one.  Want a 10 mile long ski slope with death defying jumps over a 10 lane motorway? have one.  What ever your imagination can conjure up, Mega City One can accomodate it.

Mega City One as envisioned by artist Dave Taylor
Judge Dredd © 2012 Rebellion Developments/2000AD
Judge Dredd created by John Wagner and Carlos Ezquerra

Want to Know More?

• The Judge Dredd Street Sim - Locations
• Lowlife: Creation Part Five: All The Joy I See Through These Architect's Eyes
• Making of Judge Dredd - Mega City 1 Miniature Model Props
• Barney - Kepper of the 2000AD Database
• Judge Minty - A Fan Film

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Thanks of course go to Of Dice and Dragons for continuing to promote the RPG Blog Carnival.  This is my 2nd entry and you can read the rest by clicking the RPG Blog Carnival tag below. 

Animals in RPGs

The Tower of the Archmage is hosting this month's RPG Blog Carnival which poses the question "What roles have animals played in your games?".  Here are some of the ways I've used animals over the years.

Familiar - One of the things most Sorceror's do fairly early on in their career is to augment their character with a familiar.  As well as providing important skill boosts for the traditionally weak low level sorceror, they can be quite useful plot devices for DMs as well.  In my last campaign one of the PCs had a cat which had an annoying habit of wandering off and discovering things I wanted the PCs to uncover.  Non-magical classes can get into on the action 

Animal Companion NPC - Non-magical characters can get in on the supplemental skill action with an animal NPC.  Barbarians with tame bears and wolves are not unheard of, Rangers with birds of prey, Elves with dragons etc.  They are a common feature in literature, from Samwise Gamgee and his pony "Bill" in The Lord of The Rings to Fitz's bonded wolf "Nighteyes" in Robin Hobb's Farseer Trilogy.

Pets - These animals tend to be more of a quirk than anything truly useful, but can be good plot devices for DM's.  One of my current campaign PCs rescued a terrapin from the a streetvendor who was barbecueing them as tasty treats.  All credit to him as a player he had us in stitches when in the middle of a rather intense discussion over a round of drinks in a tavern, he reached across the game table to retrieve his imaginary terrapin as it tried to escape.

Producers - All animal companions have the potential for use as a melee weapon, but there are some animals which can have uses beyond the mundane biting and clawing aspects of combat.  How about animals such as the humble goose whose feathers make quills or arrow fletchings, the bear that you must kill in the Northern Wastes in order to make a coat to survive a snow storm.  In my current campaign there's an Assassin who keeps a tree frog which produces the poison he dips his darts in.   

Transport - If you've not run a game where your PCs have bought a lame, stubborn or unrideable horse, or in my case a psychotic spitting camel, then you should even if just for comedic value.  Retrieving a loose horse or fending off a bunch of rustlers are also fun sidetreks to relieve the boredom on a journey.  I've even created my own Animal Item Cards and Paper Minis to help my players to visualise and manage them.

Animal Hybrid PCs - One of my favourite RPGs is Justifiers which has the "Beta-Humanoid" animal hybrid concept at it's heart.  These corporate owned constructs are bred for their congenital abilities which make them extremely useful for exploring new planets for natural resources which their corporate masters hope to exploit.  I also used the animal hybrid as a concept for Lizardmen in my campaign, complete with a racial schism which over the centuries as meant that a common ancestor evolved into two distinct species Red Salamankari and Green Salamankari but who share many physical and social similarities including a bloodthirsty animosity towards each other.

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Thanks of course go to Of Dice and Dragons for continuing to promote the RPG Blog Carnival.  This is my 1st entry and you can read the rest by clicking the RPG Blog Carnival tag below.