Wednesday, 16 November 2011

Stop SOPA, SAVE The Internet

Today is American Censorship Day and although I am not an American Citizen I feel very strongly against this poorly drafted bill which has the potential to do more harm than good.

Here in the UK we've already failed at preventing bad internet legislation from being passed in the form of the anti-democratic whitewash that saw the introduction of the Digital Economy Act (DEA). This law sought to create a situation where ISPs were responsible for actioning take down requests and for providing copyright owners with infringing customers account details without a judges court order or legal test to determine whether the content in question actually infringed anything.

Truth be told the mechanics of the enforcement of this bill are in such a state of dissarray that no-one knows how to implement this new law. This has recently led to the issuing of legal demands by copyright owners to ISPs to block traffic to certain domains. The impact of course is that every domain everywhere is subject to the same potential action. If you give government the tools in law, sooner or later they'll use them. The SOPA is similarly well intentioned but poorly drafted and dangerous legislation and I urge you to contact your congressman/woman.

You may well ask WTF has this got to do with RPGs?

Well, just from a blogging perspective this means that you could be censored for a whole range of posts where your original content draws on themes from movies, characters, locations or even ideas or even sharing that link to a funny fan generated karaoke video. If the owner of the copyright deems that you've crossed the line, at best you'll be staring a DMCA Takedown Notice in the face with no recourse to "fair use" or "safe harbour" and at worst you could be facing a legal challenge and potentially a punitive fine.

As a roleplayer I'm concerned that this legislation will ultimately damage our hobby and as a member of a democracy I am against the corruption of democracy by the money and power of "big business" for its own agenda against the will of the people.  If you're like me and feel that we are on the brink of a cyberpunk dystopian future, act now before its too late.  And here's a message from your Vice President Joe Biden.

Thanks for listening.   

Sunday, 13 November 2011

On the Workbench: Harlequin Giant Forest Troll - Complete

Yesterday I posted a progress photo of my first miniature painting project in rather a long time.  Here's the finished miniature (apologies for the crap photography).

giant forest troll giant forest troll
giant forest troll giant forest troll

Saturday, 12 November 2011

On the Workbench: Harlequin Giant Forest Troll

Giant Forest Troll
I have been out of the miniature painting game for many years but as I've always found it to be quite stress relieving I recently decided to give it a another go, so invested in some new brushes and paints.  I hope that I can begin to put a dent in the large stock of unpainted miniatures which I have collected over the years.  My first project is a Harlequin Miniatures Giant Forest Troll.

I was given this miniature many moons ago as a birthday gift and I had one abortive attempt at painting it soon after moving into my new home 9 years ago.  The miniature is a multipart casting comprising of torso, legs and a huge log club which the troll wields with both hands.  So the first order of the day was to de-flash the parts and then pin and glue them together with superglue.  The gaps (and there are plenty) were then filled with milliput and textured.  I then mounted the miniature to a Foundations of War 60mm Round - Battlefield Debris Base and sprayed it with black primer.

I never liked the painted image on the box lid as it was far too troll-like, so I decided to make mine a bit more generic so it could serve equally well as a giant or a giant ogre.  I use Miniature Paints (the ones in the little glass bottles), they're cheap and have a reasonable consistency and don't seperate too much unlike other paints I've tried in the past.  My painting style is to build up layers of colour from a black base getting gradually lighter and lighter and I find that this gives a good balance of detail at a stand-off scale, particularly when you are painting a bad casting.

Progress: face and skin all painted
I usually paint the face first to give me a guide to the rest of the figure and then block out the large areas of skin and clothing in darkest shades.  With this miniature it was almost 30% painted to begin with but I wasn't happy with the skin tones so I decided to paint all the skin first.

The giant troll is wearing a sort of animal skin toga which barely covers its bum but the painted example on the box shows no trousers.  Clearly this creature is fashion concious ( and enough of a seamstress to sew an animal hide toga) so I decided that it wasn't going to be comfortable without trousers.  These I'll paint as a patchwork of different smaller pieces of cloth which it has clearly picked up off the battlefield (including a rather fetching red gingham tablecloth).

Thursday, 10 November 2011

RPG Mapping Tools Part 3 - Region Maps

In part 1 and part 2 of this series I looked at Battlemaps and Dungeonmaps which conventionally use a square grid.  Now I zoom out a little bit more and look at options for Regionmaps and enter the realm of the hex.

Regional or Wilderness Maps

Regional maps use a variety of scales, my own maps use a notional scale of 1 hex = 50 miles.  Erin Smale over at Welsh Piper has done some amazing work with a trio of hex templates which you can download in PDF and Hexographer format which use, 125 mil, 25 mile, 5 mile wide scales.  Welsh Piper also has articles about demographics and campaign building for a low fantasy campaign and comes highly recommended.  However, the purpose of this series of articles is to explore and evaluate the free (or as near as free as it gets) software tools available to the budding cartographer, and for the purposes of demonstration, I will be using a sample from TSRs HRW2 Kingdom of Nithia a Hollow World sourcebook and the usual 1½ hour (or thereabouts) timelimit to see what is possible.

Nithia

Hexographer (www.hexographer.com)

A free Java based map editor (There's also an offline Pro version available for $24.95) which comes complete with the majority of icons you will find on a standard TSR map.  I have had trouble running this software before on my mac which is notorious for its Java implementation but a quick look in the support forum got me the answer I needed and I was up and running in no time.  The interface is fairly self explanatory and after a bit of trial and error got some great results on the Hollow World map.  I particularly like the option to fill the bottom half of each hex for the "features" such as towns and cities which is so characteristic of the TSR style of regional maps. 9/10 - "Almost Perfect"

Hexographer Output

HexMapper (http://www.mentalwasteland.net/HexMapper/)

Not to be confused with Hexmapper, is an interesting Java application which focuses on a single hex and allows you to drill down to smaller and smaller scales.  Unfortunately the interface is a little cumbersome and there's not much of a manual to go with it.  The colourset the tool uses is roughly similar to that of the sample map, but there is a limited amount of terrain choice and icons to depict settlements.  I'm sure that given more time I could make a good looking detailed map as I learned how to and when to use the various tools.  I especially liked the line drawing functions but it wasn't enough to keep me interested enough to persevere beyond the time limit.  4/10 - "Interesting... but no more than that" 

HexMapper Output


Old School Hex Mapper (http://www.emacswiki.org/cgi-bin/old-school-hex)

An interesting project from Alex Schröder which generates black and white wilderness hexmaps from ASCII input.  Although it seems simple on the face of it getting the syntax right can be a bit of a challenge and there aren't many feature options.  As an exercise in ASCII to Hexmap it's a bit of fun and I expect it was more of a development challenge than an attempt to create something genuinely useable.  One thing I did like was the oriental caligraphy aesthetic which was most pleasing on the eye.  2/10 - "because Alex could..."



Other Notable Tools

WildGen (http://axiscity.hexamon.net/users/isomage/wildgen/)

As its name suggests Wildgen is a random hex terrain generator and is an excellent resource for the time-poor DM.  It just generates the base terrain and there's no options to edit or add features such as  settlements or roads, but if you are world building in a entirely random fashion it may have some uses.

Conclusion

I was quite surprised that there aren't that many options out which are cross platform bar the excellent hexographer (which has been around for a while).  Perhaps there are some enterprising HTML5 developers out there who feel like a challenge?

Other Posts in this Series:

Wednesday, 9 November 2011

A to Z of UK RPG in the 80s - G is for Games Designers Workshop

As I've said earlier I started roleplaying in the 80s with Tunnels and Trolls and then gravitated to AD&D (1e) but my first experience of Sci-Fi roleplaying was as a player in a Traveller campaign. 

Traveller
GDW Traveller
Although I never owned the LBBs (Little Black Books) or the boxed set I did (and still do) own a copy of Double Adventure 1: Shadows / Annic Nova.  At this time White Dwarf was still covering all RPGs and regularly featured scenarios for traveller, a favourite of mine being "The Sable Rose Affair" featured in WD#17.

I loved the hard edge that traveller put on the whole Space Opera genre.  It wasn't so much about racing through the galaxy to rescue the princess, it was about dealing with the day to day minutia of staying alive in the cold depths of space and yet trying to eke out a living and possibly making that big score.  In other words more "Alien" than "Star Wars".

Believe you me, this was hugely influential to my 11 year old self whose Sci-Fi diet at that time was limited to Doctor Who, the odd episode of Blake's Seven, Battlestar Galactica and re-runs of Lost in Space.  Traveller also heavily influenced one of the breakthrough 8-bit computer games Elite by David Braben and Ian Bell which I spent many hours playing on my school's only BBC Micro.  Yes back then the entire school shared one computer!!

In 1984 GDW released Twilight 2000 which focused on the plight of the survivors of WWIII assembling their rag tag militas to fend of the remnants of the soviet army.  This got quite a bit of play at the club I was a member of at the time, but it never fit in with my cold war childhod as I recall most of the scenarios being set in the US.
 
Towards the end of the decade GDW released Space: 1889 which in hindsight shows how groundbreaking GDW were when they published the first victorian Sci-Fi RPG before cyberpunk had truly emerged never mind steampunk.  In recent years I have come to enjoy victorian sci-fi more and more, partly as a refracted, quintisentially English, vision of Empire and partly as a result of my fascination with the aestetic of heavy engineering during the industrial revolution (with brass finials and plenty of scroll work).