This is the Golden Demon Germany 2011 Slayer Sword winning diorama and there's not much more you can say apart from... OMG!
Sunday, 20 November 2011
Saturday, 19 November 2011
I'm a Chaotic Neutral Human Wizard
Been a while since I've done one of these cosmo style tests but everyone seems to be giving this a go, so...
Strength: 9
A chaotic neutral character follows his whims. He is an individualist first and last. He values his own liberty but doesn't strive to protect others' freedom. He avoids authority, resents restrictions, and challenges traditions. A chaotic neutral character does not intentionally disrupt organizations as part of a campaign of anarchy. To do so, he would have to be motivated either by good (and a desire to liberate others) or evil (and a desire to make those different from himself suffer). A chaotic neutral character may be unpredictable, but his behavior is not totally random. He is not as likely to jump off a bridge as to cross it. Chaotic neutral is the best alignment you can be because it represents true freedom from both society's restrictions and a do-gooder's zeal. However, chaotic neutral can be a dangerous alignment when it seeks to eliminate all authority, harmony, and order in society.
Find out What Kind of Dungeons and Dragons Character Would You Be?, courtesy of Easydamus (e-mail)
I found this Dr Who alignment chart... oooh I'm the Ninth Doctor, Chris Eccleston
I Am A: Chaotic Neutral Human Wizard (4th Level)
Ability Scores:
Strength: 9
Dexterity: 11
Constitution: 11
Intelligence: 14
Wisdom: 12
Charisma: 12
Alignment: Chaotic Neutral
A chaotic neutral character follows his whims. He is an individualist first and last. He values his own liberty but doesn't strive to protect others' freedom. He avoids authority, resents restrictions, and challenges traditions. A chaotic neutral character does not intentionally disrupt organizations as part of a campaign of anarchy. To do so, he would have to be motivated either by good (and a desire to liberate others) or evil (and a desire to make those different from himself suffer). A chaotic neutral character may be unpredictable, but his behavior is not totally random. He is not as likely to jump off a bridge as to cross it. Chaotic neutral is the best alignment you can be because it represents true freedom from both society's restrictions and a do-gooder's zeal. However, chaotic neutral can be a dangerous alignment when it seeks to eliminate all authority, harmony, and order in society.
Race: Human
Humans are the most adaptable of the common races. Short generations and a penchant for migration and conquest have made them physically diverse as well. Humans are often unorthodox in their dress, sporting unusual hairstyles, fanciful clothes, tattoos, and the like.Class: Wizard
Wizards are arcane spellcasters who depend on intensive study to create their magic. To wizards, magic is not a talent but a difficult, rewarding art. When they are prepared for battle, wizards can use their spells to devastating effect. When caught by surprise, they are vulnerable. The wizard's strength is her spells, everything else is secondary. She learns new spells as she experiments and grows in experience, and she can also learn them from other wizards. In addition, over time a wizard learns to manipulate her spells so they go farther, work better, or are improved in some other way. A wizard can call a familiar- a small, magical, animal companion that serves her. With a high Intelligence, wizards are capable of casting very high levels of spells.Find out What Kind of Dungeons and Dragons Character Would You Be?, courtesy of Easydamus (e-mail)
Which makes me the Ninth Doctor
I found this Dr Who alignment chart... oooh I'm the Ninth Doctor, Chris Eccleston
Friday, 18 November 2011
A to Z of UK RPG in the 80s - H is for Heavy Metal
H is for Heavy Metal
In the late 70's the New Wave of British Heavy Metal (NWoBHM) was unleashed across the airwaves and in dingy pubs and clubs all over the UK. Spearheaded by bands like Iron Maiden, Motörhead, Saxon, Judas Priest, and Venom who, although they had been inspired by the largely educated and middle class Progressive and Heavy Rock bands of the late 60's and early 70's, were unashamedly working class and many originated in the industrial towns of the Midlands and North of England such as Birmingham and Sheffield.
Teenage rebellion usually goes in search for something that will annoy the heck out of your parents and NWoBM was just waiting to be discovered. The music was a mix of piercing and wailing vocals, thumping bass and drums and a shredded guitar sound like an angle grinder on steel.
The album covers often featured Fantasy or Sci-Fi themes and the band logos (often using vaguely occult typography and symbology) were worn as patches on your sleeveless denim jacket like some sort of tribal brand. You wore your greasy long hair like a viking marauder and bullet belts and studded bracers were all part of the genre uniform.
Fantasy in song
The literary tones of Sci-Fi, Horror and Fantasy were evident in much of the lyrical content of earlier progressive bands such as Hawkwind and Black Sabbath and this influenced many of the later Metal bands to cover these genres. On Iron Maiden's album "The Number of The Beast" the track "Murders in the Rue Morgue" was directly influenced by Edgar Allen Poe's novel of the same name, "Children of The Damned" influenced by John Wyndam's "The Midwich Cuckoos" and "The Prisoner" influenced by the cult TV Show of the same name starring Patrick Magoogan.
Just to prove a point Maiden famously did a 13 minute rendition of Samuel Taylor Coleridge's "Rhyme of the Ancient Mariner" on the 1984 album "Powerslave". This has to be both my favourite Maiden album and my favourite Derek Riggs cover. I spent a lot of time staring at that album cover and if you look closely at the hieroglyphics you'll also see some graffiti from "Indiana Jones", "Mickey Mouse" and the British "Chad" a version of "Kilroy was here".
Other artists like Saxon had tracks such as "The Warrior" which portrayed a generic fantasy storyline.
Of course Metal wasn't a peculiarly british phenomenon and US bands such as Metallica famously covered HP Lovecraft in the tracks "The Call of Ktulu" and "The Thing That Should not Be" and New York Thrash Metal band Anthrax covered 2000 AD's Judge Dredd in their song "I am The Law"
Art influences Art
One of the other big attractions aside from the music where the amazing works of fantasy and sci-fi art which adorned almost every album. In fact it seemed that in addition to the standard lineup of drums, bass, rythmn guitar, lead guitar and vocals it was almost as important to find a great artist to design your band logo and album covers. A tradition begun in the 70s with prog bands like Yes employing Roger Dean and continued by Iron Maiden and their long (if not entirely harmonious association) with Derek Riggs.
Joe Petagno has had a 31 year association with Motörhead and devised their famous "Snaggletooth" emblem which has graced many of their albums.
Needless to say for every great piece of cover-art there were lots of awful ones which slipped through the net.
A particularly comical one was that of Sweden's Yngwie "J" Malmsteen (pronounced Ing-vey) and his 1986 album "Trilogy". The impossibly posed neo-classical guitar-god Yngwie, is depicted seeing off a three headed dragon with what can only be described as "a fire spewing lick of his stratocaster". I'm sure everyone in the meeting thought it was a good idea at the time.
In researching this article I also stumbled across an album cover which although it isn't metal is so monumentally bad that there just aren't words to describe it... Rick James - Throwin' Down
Métal Hurlant and Heavy Metal Magazine
In France in 1974 two comic book artists Jean Giraud (aka Moebius) and Phillipe Druillet began publishing a quarterly sci-fi graphic novel under the title Métal Hurlant (Howling Metal). These comic books were in a grphic novel format and featured distinctive and detailed artwork and strong storylines with adult themes it was picked up by National Lampoon, translated into English and relaunched in 1977 as Heavy Metal and in 1979 the format was changed slightly to include Rock Music reviews.
With the release of an animated feature film Heavy Metal (1981), the combination of art, music and Sci-Fi/Fantasy stories was brought together in one vehicle. A combination of original storylines and a soundtrack featured tracks by a plethora of rock bands of the era such as Black Sabbath, Blue Oyster Cult, Cheap Trick, Grand Funk Railroad, Journey and Stevie Nicks it was every pubescent teenage boys fantasy brought to life.
Other Metal Movie Moments
The 80s saw the use of Heavy Metal soundtracks in films particularly of the Sci-Fi Horror genre and led to AC/DC recording the soundtrack to the movie Maximum Overdrive (1986) written and directed by Steven King. The movie featured Emilio Estevez and a bunch of "survivors" as they are terrorized by an army of machines, led by a "green goblin" faced truck, which have been brought to life by the passing of a strange comet. The author also makes a cameo appearance in the movie as a bespectacled sunday driver.
1986 also saw Kiss bassist and tongue waggler extraordinaire Gene Simmons and rock legend Ozzy Osbourne appear in cameo roles in the horror movie Trick or Treat which featured a soundtrack by Fast Eddie Clarke (also famed for playing guitar on Motörhead's "The Ace of Spades"). The plot plays heavily on the urban legend of satanic messages being heard in records when they are played backwards (Hey kids! I bet you can't do that with your Lady Gaga CD) and the spirit of dead rock star Sammi Curr's attempt to be ressurected through a Halloween Dance sacrifice. All good clean adolescent fun really.
Heavy Metal... Meet White Dwarf
The association of Heavy Metal music with gaming reached a climax in November 1987 when Games Workshop's John Blanche conspired to give away Nottingham Thrash Metal group Sabbat's "Blood for the Blood God" as a flexi-disc single in issue 95 of White Dwarf.
I was lucky enough to see Sabbat in '88 when they played London's Marquee Club (the Charing Cross Road incarnation) following the release of the album "History of a Time to Come"which also featured cover art by John Blanche. A great gig which introduced me to the art of stage diving and I swear I had tinitus for three days afterwards.
Another Nottingham band to emerge in the late 80's in association with Games Workshop were Bolt Thrower whose name originated from the siege weapon featured in their Warhammer Fantasy Battle wargame. The cover of their 1989 album "Realm of Chaos" is the same painting by John Sibbick which graced the front cover of the original Warhammer 40,000: Rogue Trader rulebook.
 |
| Iron Maiden - Powerslave (Cover by Derek Riggs) |
Teenage rebellion usually goes in search for something that will annoy the heck out of your parents and NWoBM was just waiting to be discovered. The music was a mix of piercing and wailing vocals, thumping bass and drums and a shredded guitar sound like an angle grinder on steel.
The album covers often featured Fantasy or Sci-Fi themes and the band logos (often using vaguely occult typography and symbology) were worn as patches on your sleeveless denim jacket like some sort of tribal brand. You wore your greasy long hair like a viking marauder and bullet belts and studded bracers were all part of the genre uniform.
Fantasy in song
 |
| Uriah Heep - Abonimog (Cover by Les Edwards) |
Just to prove a point Maiden famously did a 13 minute rendition of Samuel Taylor Coleridge's "Rhyme of the Ancient Mariner" on the 1984 album "Powerslave". This has to be both my favourite Maiden album and my favourite Derek Riggs cover. I spent a lot of time staring at that album cover and if you look closely at the hieroglyphics you'll also see some graffiti from "Indiana Jones", "Mickey Mouse" and the British "Chad" a version of "Kilroy was here".
Other artists like Saxon had tracks such as "The Warrior" which portrayed a generic fantasy storyline.
Of course Metal wasn't a peculiarly british phenomenon and US bands such as Metallica famously covered HP Lovecraft in the tracks "The Call of Ktulu" and "The Thing That Should not Be" and New York Thrash Metal band Anthrax covered 2000 AD's Judge Dredd in their song "I am The Law"
Art influences Art
 |
| Magnum - On a Storytellers Night (Cover by Derek Riggs) |
Joe Petagno has had a 31 year association with Motörhead and devised their famous "Snaggletooth" emblem which has graced many of their albums.
 |
| Yngwie Malmsteen - Trilogy |
A particularly comical one was that of Sweden's Yngwie "J" Malmsteen (pronounced Ing-vey) and his 1986 album "Trilogy". The impossibly posed neo-classical guitar-god Yngwie, is depicted seeing off a three headed dragon with what can only be described as "a fire spewing lick of his stratocaster". I'm sure everyone in the meeting thought it was a good idea at the time.
In researching this article I also stumbled across an album cover which although it isn't metal is so monumentally bad that there just aren't words to describe it... Rick James - Throwin' Down
Métal Hurlant and Heavy Metal Magazine
 |
| Heavy Metal the Movie (Cover by Chris Achilleos) |
With the release of an animated feature film Heavy Metal (1981), the combination of art, music and Sci-Fi/Fantasy stories was brought together in one vehicle. A combination of original storylines and a soundtrack featured tracks by a plethora of rock bands of the era such as Black Sabbath, Blue Oyster Cult, Cheap Trick, Grand Funk Railroad, Journey and Stevie Nicks it was every pubescent teenage boys fantasy brought to life.
Other Metal Movie Moments
 |
| Maximum Overdrive |
1986 also saw Kiss bassist and tongue waggler extraordinaire Gene Simmons and rock legend Ozzy Osbourne appear in cameo roles in the horror movie Trick or Treat which featured a soundtrack by Fast Eddie Clarke (also famed for playing guitar on Motörhead's "The Ace of Spades"). The plot plays heavily on the urban legend of satanic messages being heard in records when they are played backwards (Hey kids! I bet you can't do that with your Lady Gaga CD) and the spirit of dead rock star Sammi Curr's attempt to be ressurected through a Halloween Dance sacrifice. All good clean adolescent fun really.
Heavy Metal... Meet White Dwarf
The association of Heavy Metal music with gaming reached a climax in November 1987 when Games Workshop's John Blanche conspired to give away Nottingham Thrash Metal group Sabbat's "Blood for the Blood God" as a flexi-disc single in issue 95 of White Dwarf.
 |
| Sabbat - History of a Time to Come (Cover by John Blanche) |
Another Nottingham band to emerge in the late 80's in association with Games Workshop were Bolt Thrower whose name originated from the siege weapon featured in their Warhammer Fantasy Battle wargame. The cover of their 1989 album "Realm of Chaos" is the same painting by John Sibbick which graced the front cover of the original Warhammer 40,000: Rogue Trader rulebook.
Wednesday, 16 November 2011
Stop SOPA, SAVE The Internet
Today is American Censorship Day and although I am not an American Citizen I feel very strongly against this poorly drafted bill which has the potential to do more harm than good.
Here in the UK we've already failed at preventing bad internet legislation from being passed in the form of the anti-democratic whitewash that saw the introduction of the Digital Economy Act (DEA). This law sought to create a situation where ISPs were responsible for actioning take down requests and for providing copyright owners with infringing customers account details without a judges court order or legal test to determine whether the content in question actually infringed anything.
Truth be told the mechanics of the enforcement of this bill are in such a state of dissarray that no-one knows how to implement this new law. This has recently led to the issuing of legal demands by copyright owners to ISPs to block traffic to certain domains. The impact of course is that every domain everywhere is subject to the same potential action. If you give government the tools in law, sooner or later they'll use them. The SOPA is similarly well intentioned but poorly drafted and dangerous legislation and I urge you to contact your congressman/woman.
You may well ask WTF has this got to do with RPGs?
Well, just from a blogging perspective this means that you could be censored for a whole range of posts where your original content draws on themes from movies, characters, locations or even ideas or even sharing that link to a funny fan generated karaoke video. If the owner of the copyright deems that you've crossed the line, at best you'll be staring a DMCA Takedown Notice in the face with no recourse to "fair use" or "safe harbour" and at worst you could be facing a legal challenge and potentially a punitive fine.
As a roleplayer I'm concerned that this legislation will ultimately damage our hobby and as a member of a democracy I am against the corruption of democracy by the money and power of "big business" for its own agenda against the will of the people. If you're like me and feel that we are on the brink of a cyberpunk dystopian future, act now before its too late. And here's a message from your Vice President Joe Biden.
Thanks for listening.
Here in the UK we've already failed at preventing bad internet legislation from being passed in the form of the anti-democratic whitewash that saw the introduction of the Digital Economy Act (DEA). This law sought to create a situation where ISPs were responsible for actioning take down requests and for providing copyright owners with infringing customers account details without a judges court order or legal test to determine whether the content in question actually infringed anything.
Truth be told the mechanics of the enforcement of this bill are in such a state of dissarray that no-one knows how to implement this new law. This has recently led to the issuing of legal demands by copyright owners to ISPs to block traffic to certain domains. The impact of course is that every domain everywhere is subject to the same potential action. If you give government the tools in law, sooner or later they'll use them. The SOPA is similarly well intentioned but poorly drafted and dangerous legislation and I urge you to contact your congressman/woman.
You may well ask WTF has this got to do with RPGs?
Well, just from a blogging perspective this means that you could be censored for a whole range of posts where your original content draws on themes from movies, characters, locations or even ideas or even sharing that link to a funny fan generated karaoke video. If the owner of the copyright deems that you've crossed the line, at best you'll be staring a DMCA Takedown Notice in the face with no recourse to "fair use" or "safe harbour" and at worst you could be facing a legal challenge and potentially a punitive fine.
As a roleplayer I'm concerned that this legislation will ultimately damage our hobby and as a member of a democracy I am against the corruption of democracy by the money and power of "big business" for its own agenda against the will of the people. If you're like me and feel that we are on the brink of a cyberpunk dystopian future, act now before its too late. And here's a message from your Vice President Joe Biden.
Thanks for listening.
Sunday, 13 November 2011
On the Workbench: Harlequin Giant Forest Troll - Complete
Yesterday I posted a progress photo of my first miniature painting project in rather a long time. Here's the finished miniature (apologies for the crap photography).
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