Following on from yesterdays Geomorph related post, I've been following the exploits of the Dungeon Crafting crowd (The DM's Craft, TheDMGInfo and AJ Pickett) on YouTube for a while now and have been especially entertained by The DMG Info's latest series "Delving The Dark".
It's essentially, a video "walk-through" of a dungeon that Gareth has created using his take on DM Scotty's 2.5D tile system. Each episode describes a single room and its contents. The descriptions are system neutral and concise and the plot detail offered adds enough spice to keep the viewer and potential DM interested.
Whilst watching Level 1 Area 16/20, Gareth casually dropped that there were at least 5 levels to this dungeon... Woah, that's gonna be a pretty sweet little series of vids.
To avoid spoilers, this is definitely one for DMs only and it's a great showcase for how the 2.5D dungeon tiles can be used in your game.
Thursday 16 October 2014
Wednesday 15 October 2014
DIY Tournament Dungeon Boardgame
 |
| 24 Cheap and easy 2.5D Dungeon Tiles |
This year it's my turn to host the game and I'll be putting on a simple dungeon crawl game. I'm musing over the rules at the moment but here's my outline:
PREMISE
My aim is to have a 3 to 5 player competitive dungeon crawl lasting no more than 45 minutes, in the style of the boardgame Dungeon Quest. Players start on the same tile, like in Drakon, each time they move they reveal a new tile and orient it as they see fit discovering the dungeon as they go. The final tile holds the great treasure and the Boss Monster.
I'm going to be using a version of the 9 inch cavern geomorph tiles as popularised by YouTubers TheDMGInfo / TheDM'sCraft / DM Kaydons Kastle, where each tile contains an encounter, be it a trap or a monster (or maybe both). This also gives me a chance to use the cards from the Inkwell Ideas Creature Decks.
I like the idea of having a finite number of "moves" to a game, everyone has an equal chance the player skill element comes from trying to push your luck or deciding to flee. I've played games like Lost Cities which use this sort of "push your luck" mechanic and enjoyed them immensely.
I need quick and dirty "trump" style resolution so I'm going to base everything around a regular deck of playing cards. Players get to choose their card whereas the DM draws randomly from a deck.
To represent levels of the dungeon the DM deck is divided into 3 stacks; Level 1(cards numbered 2 to 6), Level 2 (cards 7 to J) and Level 3 cards (Q to A). I have 24 tiles in the game so the first 10 tiles represent Level 1, the next 10 Level 2 and the last 4 are Level 3.
STATS & CHARACTER GENERATION
Looking at the card suit symbols we have:
HEARTS - Look like a heart so should represent life force or vitality, these cards are used for all tests of strength and stamina.- CLUBS - Look like a tree and sort of like a brain so these represent knowledge and intelligence.
- DIAMONDS - Looks sharp like a sword so these cards are used to represent Melee combat ability.
- SPADES - Look like an arrowhead so these cards are used for all Missile attacks and Dexterity based skill checks.
- JOKERS - Each player gets one of these to use during the game to automatically succeed at a challenge or to inflict an instant kill. However, Jokers cannot be used to defeat the BOSS MONSTER, unused jokers are worth 15 points at the end of the game.
- Warrior - ♥ (Strength) and ♦ (Melee)
- Wizard - ♣ (Intelligence) and ♠ (Missile)
- Thief - ♠ (Dexterity) and ♣ (Intelligence)
- Ranger - ♠ (Missile) and ♦ (Melee)
- Cleric - ♣ (Intelligence) and ♦ (Melee)
- Barbarian - ♥ (Strength) and ♠ (Dexterity)
- Bandit - ♥ (Strength) and ♣ (Intelligence)
- Monk - ♣ (Intelligence) and ♥ (Strength)
- Archer - ♠ (Missile) and ♥ (Strength)
- Warlord - ♦ (Melee) and ♣ (Intelligence)
- Gladiator - ♦ (Melee) and ♥ (Strength)
- Swashbuckler - ♦ (Melee) and ♠ (Dexterity)
Each time players move onto a new tile they will encounter either a monster, a trap or need to search for a treasure.
MONSTER ENCOUNTER: Players may either FIGHT using ♦ (Melee) or ♠ (Missile) or EVADE using ♣ (Intelligence) or ♥ (Stamina). If a player succeeds in a fight the monster is killed and a treasure awarded. If a player succeeds in evading the player can move to the next tile but the monster remains and no treasure is awarded.
TRAP ENCOUNTERS: Players may either DISABLE using ♣ (Intelligence) or ♠ (Dexterity) or EVADE using ♥ (Strength) or ♦ (Melee). If a trap is disabled it is removed from the game and the player gets a reward otherwise the trap remains.
NO ENCOUNTER: Empty tiles can be searched by any player using any card. So there is merit in just following the first player and scratching around in the room once they've defeated all the monsters.
As detailed above, players resolve encounters by choosing a card and comparing it with the DMs Card, whichever is higher wins. Players who fail an encounter must discard an extra card at random from whichever suit they used in the encounter. In the event of ties a player who used their primary stat always wins, if they used their secondary stat they always lose.
I'm going to decide monster or trap based on a coin flip. Heads it's a Monster, tails its a Trap, but you could design specific traps for each tile design you have.
TREASURE
Treasures are awarded for defeating monsters, disabling traps or succeeding in search rolls. They are either drawn randomly from a seperate deck or if you want the rewards to increase in level as the challenges increase you can just award the challenge card.
THE BOSS MONSTER
When the last tile is drawn, the players have reached the end of the dungeon. Any players who can move their character onto this tile in their next turn can attempt to defeat the boss monster either collectively as a group or try it on their own. Players are reminded that the boss monster is an instant kill event and failure will result in death. There's no such thing as a dead Hero in this game.
In either case they choose a card as normal, excluding Jokers. However, the boss monster gets to shuffle all the remaining challenge decks together and draws 1 card plus 1 card for each party member in the combat and discards the lowest card.
Players are awarded 2 treasures each for defeating the boss monster.
FLEEING
Players can FLEE the dungeon before drawing a new tile and keep any treasure cards they have amassed so far. If their route out of the dungeon is blocked by a monster they must discard a card at random as they flee.
TURN ORDER
Players determine their Initiative order by choosing one card from their hand. Highest goes first, in the event of ties the player who used a primary stat card wins, all others discard and redraw.
1. FLEE - Players may decide to flee the dungeon or continue exploring.
2. MOVE - Move through an open exit and reveal the next tile.
3. ENCOUNTER - Each player resolves the encounter as outlined above.
4. NEXT TURN - Play moves to the player with the next highest initiative.
SCORING
Once the boss monster has been defeated (or all players have fled the dungeon) the game is over and scoring occurs.
1. DEAD players score 1 point for each unused stat card in their hand (+ 15 points for an unused joker).
2. SURVIVING players score 1 point for each secondary stat card (+ 15 points for an unused joker) + the face value of any primary stat cards remaining + the face value of any treasure rewarded.
3. The winner is the player with the most points
Wednesday 27 August 2014
French Space Opera - Time Jam: Valérian and Laureline
I've mentioned several times on this blog that Luc Besson is one of of my favourite directors/producers/writers and I always keep up to date with what projects he is involved with. Back in 2012 he announced he was working on a Valérian movie, which for those who don't know, Valérian is a French graphic novel first published in Pilote magazine (Nov 1967) and written by Pierre Christin with art by Jean-Claude Mézières.
Besson has always been a fan of the original comicbook and so he hired Mézières and Jean Giraud Moebius to do the concept art for a little sci-fi project he was putting together which ended up being "The Fifth Element". Besson's production company, Europacorp, also colaborated on a 40 episode anime series loosely based on the comic book, first aired in 2007. Besson is not the only fan to be inspired by and some of the original
comicbook has bled through to Star Wars. Jeffrey Willis has a good
write up of some of these on his blog The Geek Flag.
The series follows the adventures of junior Space Time Agent Valérian, voiced by Nigel Greaves, who travels back to medieval France to undertake cultural observations for the Oxford Intergalactic University. Needless to say his first mission goes spectacularly wrong and he ends up escaping feudal justice with a headstrong peasant girl called Laureline, voiced by Alison Dowling. When they time jump back to 2417 they discover that the Earth has disappeared and they spend the rest of the series as the only humans in the galaxy trying to find out what has happened to it.
The universe features a plethora of alien species, cultures, planets and technology, most notably the insectoid Vlargos who are intent on dominating the Galaxy. Valérian and Laureline have to constantly thwart their devious plans as they ply their trade as space adventures. One of their patrons are a trio of weird small winged entrepreneurs with trunks know as Shingouz. Much like Star Trek's Ferenghi they are always in search of profit and end up sending Valérian and Laureline on quite a few dangerous missions to retrieve various objects.
Their encounters often occur on weird planets that try to kill them or have been rendered dangerous by some legendary artefact they must recover and they are assisted by ship's computer "Rondha" which fills in some of the blanks for them and the viewer. There's plenty of variety in setting and plot for each episode as the pair embark on various missions for their different patrons and they end up making just as many friends as enemies.
With the exception of the bizarre "Space Dandy", it's been a while since I've seen anything that I would class as "Space Opera". By this I mean in the spirit of of E.E. "Doc" Smith's classic Lensman, a light hearted, galaxy hopping tour of the universe with only a laser blaster and a well timed one liner for defence. It's pitched at an early teens audience, the tone is firmly in the "mild peril" zone, but it's good inspiration fodder for any Space Opera RPG and could be easily "hardened" up for more engaging adult sessions. I would recommend using it as an alternative setting when you want to drop your players in at the deep end and watch them gradually learn about the universe as they play.
 |
| Just a few of the many aliens from the Time Jam universe (centre: Valerian and Laureline) |
The series follows the adventures of junior Space Time Agent Valérian, voiced by Nigel Greaves, who travels back to medieval France to undertake cultural observations for the Oxford Intergalactic University. Needless to say his first mission goes spectacularly wrong and he ends up escaping feudal justice with a headstrong peasant girl called Laureline, voiced by Alison Dowling. When they time jump back to 2417 they discover that the Earth has disappeared and they spend the rest of the series as the only humans in the galaxy trying to find out what has happened to it.
The universe features a plethora of alien species, cultures, planets and technology, most notably the insectoid Vlargos who are intent on dominating the Galaxy. Valérian and Laureline have to constantly thwart their devious plans as they ply their trade as space adventures. One of their patrons are a trio of weird small winged entrepreneurs with trunks know as Shingouz. Much like Star Trek's Ferenghi they are always in search of profit and end up sending Valérian and Laureline on quite a few dangerous missions to retrieve various objects.
Their encounters often occur on weird planets that try to kill them or have been rendered dangerous by some legendary artefact they must recover and they are assisted by ship's computer "Rondha" which fills in some of the blanks for them and the viewer. There's plenty of variety in setting and plot for each episode as the pair embark on various missions for their different patrons and they end up making just as many friends as enemies.
With the exception of the bizarre "Space Dandy", it's been a while since I've seen anything that I would class as "Space Opera". By this I mean in the spirit of of E.E. "Doc" Smith's classic Lensman, a light hearted, galaxy hopping tour of the universe with only a laser blaster and a well timed one liner for defence. It's pitched at an early teens audience, the tone is firmly in the "mild peril" zone, but it's good inspiration fodder for any Space Opera RPG and could be easily "hardened" up for more engaging adult sessions. I would recommend using it as an alternative setting when you want to drop your players in at the deep end and watch them gradually learn about the universe as they play.
Wednesday 13 August 2014
5 Things I'd Love to do with RPG Props
Here's a bucket list of things I'd like to do with props have effects in a game world.
1. Fortune Cookies - Imagine a game where the PCs have just polished off a nice celebratory chinese meal, when the DM/waiter hands out a plate of fortune cookies. Each of the players takes one and discovers a clue or instruction to their next adventure inside.
2. Defuse the Bomb - Make a prop bomb complete with digital timer and hand the players a screwdriver and a set of wire cutters. I'm going to need to trap them in a locked room so they have no choice but to defuse it. This is probably the trickiest of the lot as I'd have to find a good timer circuit which I can use.
3. SMS Patron - Have a game where all the instructions coming from the patron are delivered to the characters via SMS text to the players mobile phones.
4. Amaretti Scroll of Raise Dead - This is something I'd like to do when playing a magic user. When a party member dies, I'd like to pull out a piece of amaretti paper covered in symbols claiming it's a Raise Dead scroll. Read out some incantation and then roll it up into a tube and set fire to it. At the last moment the paper will fly into the air (just like in the video) and the character is back from the dead.
5. Crossword from Beyond the Grave. Give one or more PCs a half finished crossword puzzle as a clue, preferable found near the body of someone they wanted to interrogate. The players must complete the crossword to reveal a message from the victim.
 |
| Fortune Cookie (may include game content) |
2. Defuse the Bomb - Make a prop bomb complete with digital timer and hand the players a screwdriver and a set of wire cutters. I'm going to need to trap them in a locked room so they have no choice but to defuse it. This is probably the trickiest of the lot as I'd have to find a good timer circuit which I can use.
3. SMS Patron - Have a game where all the instructions coming from the patron are delivered to the characters via SMS text to the players mobile phones.
4. Amaretti Scroll of Raise Dead - This is something I'd like to do when playing a magic user. When a party member dies, I'd like to pull out a piece of amaretti paper covered in symbols claiming it's a Raise Dead scroll. Read out some incantation and then roll it up into a tube and set fire to it. At the last moment the paper will fly into the air (just like in the video) and the character is back from the dead.
5. Crossword from Beyond the Grave. Give one or more PCs a half finished crossword puzzle as a clue, preferable found near the body of someone they wanted to interrogate. The players must complete the crossword to reveal a message from the victim.
Monday 11 August 2014
Astropia - RPG Advocacy in movies
Last night caught me flicking through the free movie content on my WD TV Live, where I stumbled across a Norwegian language film called Astropia. Also known as Dorks & Damsels it was an indie film released in 2007. Given the subject matter, it was surprising that I'd never heard of it, but I've had good experiences with Norwegian films in the past so thought I'd give it a go.
In a plot borrowed heavily from the classics such as "Oliver" and "Pygmalion", socialite Hildur (Ragnhildur Steinunn Jónsdóttir), is living the life of a minor celebrity when her wealthy boyfriend Jolli, a shady car dealer, is suddenly arrested and jailed. The confused society girl is thrown out of her home and hounded by the paparazzi, so goes to live with her sister Bjort and 10 year old Nephew Snorri.
She struggles to complete even the most basic tasks and come to terms with her new station in life when, by chance, she lands a job at "Astropia" the local "Nerd Store" as their RPG salesperson. She knows nothing about roleplaying and her colleagues and customers are initially hostile until she joins her first game session run by store owner Goggi.
RPG portrayals in mainstream media fall squarely into two camps for me, you're either condescendingly laughing at the nerds (Big Bang Theory) or knowingly laughing with the nerds (Robot Chicken) and this one falls squarely into the latter. In fact the only condescending character in the movie is the villain Jolli and although Hildur is treated with a bit of suspicion and sexism by her co-workers, she wins them over quite quickly.
The movie does a good job of parodying some of the stereotypical nerd subdivisions and there are some great little moments like DVD salesman Floki trying to sending young Norri off home with copies of "The Exorcist" and "The Shining" as educational movies.
Importantly this movie has has an engaging convential plot centered around Hilda's and Jolli's abusive relationship. It does a great job of portraying the members of the games group as odd, but likeable and fully functioning adults and the "normal" people as monsters. The use of LARP costume action is sparing, but serves as an effective mind's eye view inside a game session and is sympathetic. It explains the core functions of characters and GM well and demonstrates how RPGs have the power to unlock imaginations and how people can often have surprising hidden talents or skills and the determined Hildur also manages to knock some of the sexism for six in her first session.
If you don't mind watching subtitled movies this is definitely well worth a look and I'd definitelty recommend it to anyone trying to explain RPGs to a non playing partner or friend.
 |
| aka Dorks & Damsels |
She struggles to complete even the most basic tasks and come to terms with her new station in life when, by chance, she lands a job at "Astropia" the local "Nerd Store" as their RPG salesperson. She knows nothing about roleplaying and her colleagues and customers are initially hostile until she joins her first game session run by store owner Goggi.
RPG portrayals in mainstream media fall squarely into two camps for me, you're either condescendingly laughing at the nerds (Big Bang Theory) or knowingly laughing with the nerds (Robot Chicken) and this one falls squarely into the latter. In fact the only condescending character in the movie is the villain Jolli and although Hildur is treated with a bit of suspicion and sexism by her co-workers, she wins them over quite quickly.
The movie does a good job of parodying some of the stereotypical nerd subdivisions and there are some great little moments like DVD salesman Floki trying to sending young Norri off home with copies of "The Exorcist" and "The Shining" as educational movies.
Importantly this movie has has an engaging convential plot centered around Hilda's and Jolli's abusive relationship. It does a great job of portraying the members of the games group as odd, but likeable and fully functioning adults and the "normal" people as monsters. The use of LARP costume action is sparing, but serves as an effective mind's eye view inside a game session and is sympathetic. It explains the core functions of characters and GM well and demonstrates how RPGs have the power to unlock imaginations and how people can often have surprising hidden talents or skills and the determined Hildur also manages to knock some of the sexism for six in her first session.
If you don't mind watching subtitled movies this is definitely well worth a look and I'd definitelty recommend it to anyone trying to explain RPGs to a non playing partner or friend.
Subscribe to:
Posts (Atom)